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...boys who were killed in the trenches, Who fought with no rage and no rant, We left them stretched out on their pallets of mud Low down with the worm...

Author: /time Magazine | Title: Books: Long E in Greek | 12/13/1971 | See Source »

...Taste of Worm. When Losey finally started The Go-Between in the summer of 1970, he found himself restricted to a $1,000,000 budget and a severe eight-week shooting schedule. It is a tribute to his talent that a film made under such confining conditions could be so lush and fully sustained. "Joe is so scrupulous it's stunning," says Pinter. "He can be directing a complicated scene with actors and be able to pay attention not only to its meaning but to whether a saltcellar on the table is out of position." Of The Go-Between...

Author: /time Magazine | Title: Cinema: Two by Losey | 8/9/1971 | See Source »

...message begins in the cradle and ends only in the grave: be on time. The early bird gets the worm. Time is money. Punctuality is the politeness of kings. Though our society has learned to excuse almost anything else, it still finds one sin-tardiness-unpardonable. It is as if we had collectively accepted Alice's harried, harassed White Rabbit ("Oh, dear! Oh, dear! I shall be too late!") as our model. Perhaps the only social canon of Emily Post's that still has all but universal acceptance is her dictum: "You must not be late...

Author: /time Magazine | Title: Time Essay: IN (SLIGHT) PRAISE OF TARDINESS | 6/28/1971 | See Source »

...Leonard Whiting's credentials-a good physique-while lacking a strong or even passable voice for Ford's verse. Giovanni loves his sister Annabella, whose combination of wraithlike charm and physicality Lucinda Winslow succeeds very well in conveying. (Lucy Winslow, Loebgoers will remember, was superb in Dirty Hands. ) The worm of incest causes not only the ruin of two families and the death of both sister and brother, but also a few assorted stabbings, poisonings and eye-gougings which Ford probably threw in for his sensation-seeking upper-class audiences-though, then again, seventeenth-century. Englishmen assumed Italians were that...

Author: By James M. Lewis, | Title: Theatre 'Tis Pity She's a Whore at the Loeb this weekend and next | 3/27/1971 | See Source »

...Goodwin, nonetheless, alcohol is not just a harmless stimulus to creativity. He points to the obvious fact that a man may use it self-destructively, as did Fitzgerald. In such cases, as Baudelaire said about Edgar Allan Poe, alcohol becomes a weapon "to kill something inside himself, a worm that would...

Author: /time Magazine | Title: Behavior: The Writer's Vice | 10/5/1970 | See Source »

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