Word: worship
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Last night's worship was "a sign of encouragement and hope" in striving for Christian unity, Gomes said...
Jimmy Swaggart, 50, is a brash, rafter-ringing Pentecostal preacher and Gospel singer (his albums have sold 13 million copies) who preserves the old tent revival style at his striking 7,000-seat Family Worship Center outside Baton Rouge, La. In his weekly one-hour broadcasts, he prowls the stage, sometimes breaking into excited jig steps, as he revs up perorations assailing Communism, Catholicism and "secular humanism," the last of which he blames for abortion, pornography, AIDS and assorted social ills. He takes in $140 million a year. The money pays for his weekly show (aired in 197 markets...
Jerry Falwell, 52, presides at the 21,000-member Thomas Road Baptist Church in Lynchburg, Va., whose Sunday worship is seen in 172 markets. A Fundamentalist of genial manner and granite opinions, he used his TV clout to launch Moral Majority, the influential conservative political lobby. That group was subsumed last month under the new Liberty Federation, signaling Falwell's increased involvement in foreign affairs. He also runs Liberty University (7,000 students) in Lynchburg. The 1985 receipts of Falwell's ventures: $100 million. Last year he started a Sunday-night call-in show on Ted Turner's superstation, WTBS...
...Architects Philip Johnson and John Burgee, it has a 128-ft.-high network of white steel trusses supporting more than 10,000 silvered panes of glass, which diffuse an effulgence of brilliant daylight. Sunday mornings at the cathedral have more the feel of sporting events or variety hours than worship services. Gold-jacketed attendants guide cars in the parking lot. Inside, caged canaries chirp and camera-toting tourists click away through worship. As the service begins, 90-ft. doors open to reveal twelve fountains, one for each apostle, and an 11-ft. by 15-ft. Jumbotron video screen...
...more austere and subdued. He took no part in the stylistic revolution launched by T.S. Eliot and Ezra Pound. His poems stubbornly scanned and usually rhymed. In The White Goddess (1948), he built a huge edifice of eccentric scholarship to prove a personal point: poetry arose in the worship of the Ur-Female and could only be brought back to life by returning to this adoration. That was his lifelong mission, and his love poems praised both joy and sorrow: "Take your delight in momentariness,/ Walk between dark and dark--a shining space/ With the grave's narrowness, though...