Word: worshiped
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Dates: during 1980-1989
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...racehorses) and "First Sight" (about winter-born lambs) are hymns to the inexorable rhythms of the seasons, to which each human, unfortunately, has only a short-term invitation. "Church Going" deals with a man-made structure. A wayward cyclist stops out of curiosity and enters an empty house of worship: "Once I am sure there's nothing going on/ I step inside, letting the door thud shut." That offhand "nothing going on" builds slowly to signify a loss of faith, of ritual and communal practices. There are no tears, but neither is there comfort; we are, for better and worse...
There is an additional irony: all the time-saving devices may actually make people work harder. Sometime in the early '80s, suggests futurist Selwyn Enzer, Americans came to worship career status as a measure of individual worth, and many were willing to sacrifice any amount of leisure time to get ahead. "Social scientists underestimated the sense of self-esteem that came with having a career," he observes. These days, if an entrepreneur has not made his first million by the time he is 30, his commitment to capital accumulation is suspect. And in the transition from an industrial...
Paleologos, who chairs the House Education Committee, said that the "worship" of Japanese educational success has been used as a "political club" by Americans to avoid facing the problems of the country's educational system...
...futurists promised a bright churning world of dynamism, machine worship, speed and conflict. As the machines dated, so did some of the paintings. A work like Severini's Plastic Synthesis of the Idea "War," 1915 -- his response to the general mobilization of the French army, painted in Paris -- seems, with its antique gun limber and biplane wings, almost as nostalgic an image as a battle piece by Paolo Uccello. But others have not dated. In particular, the spiking and whorling of translucent mechanical forms in Balla's Abstract Speed, 1913, can be seen as one of the great pictorial images...
...when the newly built St. Paul's Church in Lagos opened its doors to reveal frankly pagan symbols and statues. A black Nigerian priest protested at the time, "You are taking us back from whence we came -- paganism." But prominent Nigerian artist Bruce Onobrakpeya notes that the Yorubas "worship God through the spirit Orisha, who will pray to God for them and obtain the blessings they desire -- not so very different from parishioners kneeling before a statue of the Virgin." The decorations remained...