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...MOST LOGICAL EXPLANATION for this inanity is that the movie is an act of homage to George Burns. Ever since the death of Jack Benny, Hollywood and its comedians have gone out of their way to worship Burns, his closest friend. By placing him as God in the center of a movie, Reiner may feel he is paying the ultimate tribute to this cigar-smoking, endearing little man. Too bad Reiner's religious offering did not include a good script. Great pains have obviously been taken to prevent the placid Burns from being upstaged; Reiner has chosen to cast...

Author: NO WRITER ATTRIBUTED | Title: To Hell With It | 1/11/1978 | See Source »

Deadheads all over the world live and die by the foibles of their adopted group, though most rock fans stop short of this sort of idol worship. Still, the Dead are almost universally recognized as a talented, innovative group that is at its best on the stage, rather than in the studio, where most groups hibernate. In some ways, however, the Dead seem stuck in the debris of the late '60s; their music has the raw, unreconstructed sound of earlier groups, and they retain their oft-publicized position as the high priests of acid. Despite the death by excess...

Author: NO WRITER ATTRIBUTED | Title: Movies for the Dead | 12/14/1977 | See Source »

...Greeks have been from ancient times: we are skillful at making idols, not that we may worship them, but that we may have the pleasure of destroying them...

Author: /time Magazine | Title: GREECE: A Victory Without Triumph | 12/5/1977 | See Source »

There are no fewer than 41 modern buildings, all designed by nationally and internationally famed architects. On Sundays, the citizens of Columbus worship in churches designed by Eero and Eliel Saarinen. They borrow books at a library built from the innovative plans of I.M. Pei and embellished with a bronze arch sculpted by Henry Moore. They shop in a glass-enclosed piazza designed by Cesar Pelli, and send their children to schools conceived by Architects Harry Weese, Eliot Noyes and John Warnecke. Along with the distinctive new structures, the spirit and pride of Columbus have risen as well. All over...

Author: /time Magazine | Title: Architecture: Showplace on the Prairie | 12/5/1977 | See Source »

...atrium-like interior. The town fathers soon followed Miller's cue, recruiting famous architects to design eleven stunning new schools, including an octagonal brick, glass and wood edifice by Chicago's Harry Weese. As the architectural contagion spread through Columbus, Saarinen fils wrought a hexagonal house of worship for the North Christian Church, which he topped with a soaring spire that is affectionately called "the oil can." In a friendly ecclesiastical rivalry, the First Baptist Church then got Weese to concoct a striking, almost medieval-looking church, with a steeply pitched slate roof, on the windy plain...

Author: /time Magazine | Title: Architecture: Showplace on the Prairie | 12/5/1977 | See Source »

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