Word: worst
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Dates: during 1960-1969
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...Raza: the race, meaning all Mexicans and Mexican Americans, and derived from the mystical theory of the 19th century philosopher, Jose Vasconcelos, that people of mixed race will inherit the earth. At best, it is a rallying cry betokening a mild form of cultural nationalism; at worst, it connotes outright racism...
...sturgeon. The hardy varieties of fish that remain-bream, carp, perch and pike-cannot be sold because the river's high phenol content makes them smell and taste foul. Last week even the survivors were imperiled. Millions of dead fish floated to the surface, victims of the worst case of pollution in the river's history...
...role. ∙ STANLEY KUBRICK. A favorite of the French theorists, Kubrick ironically has the most difficulty fitting their procrustean bed. His films are alike only in their lapidary craftsmanship and strong visual sense. At his best, Kubrick created America's finest antiwar movie, Paths of Glory. At his worst, in Lolita, he flattened Nabokov's Krafft-Ebing satire and missed the author's parody of motel Americana. With the innovative successes of Dr. Strangelove and 2001, he recouped much of his prestigé. Still, there remains some doubt as to whether Kubrick has retained his ability...
...Born Frances Gumm in Grand Rapids, Minn., Judy was a vaudeville trouper at the age of five. Her father died when she was twelve, and her mother, as Judy remarked bitterly years later, "was no good for anything except to create cha os and fear. She was the worst - the real-life Wicked Witch of the West." The nearest thing to a home that Judy had was the MGM lot in Hollywood, where - between long agonizing hours before the camera - Louis B. Mayer sent her to the studio school with the rest of his adolescent stars...
...worst moments seem to fascinate Poland's avant-garde composer Krzysztof Penderecki. In his Threnody for the Victims of Hiroshima, Dies Irae (an oratorio in memory of the dead of Auschwitz) and The Passion and Death of Jesus Christ According to St. Luke, Penderecki treated mass annihilation and murder with moving intensity, stretching the limits of orchestral and vocal range so far that he had to invent new notational symbols for his score (TIME, Oct. 14, 1966). Thus it was only appropriate that for his first opera he chose as his subject a tale of mass hysteria and political...