Search Details

Word: worth (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...shores of the Gulf of Mexico, with its 96,612 miles of pipe lines running from Oklahoma to New Jersey and crisscrossing the continent like veins under its skin, with the fields of East or West Texas or central Louisiana calling for supply houses at Fort Worth, Tulsa, Corpus Christi, with the thousands of flares burning the escaping gas, hissing as they burn, lighting up the derricks and stretching out under the wind like yellowish acetylene pennants of flame...

Author: /time Magazine | Title: WAR & PEACE: Pursuit of Happiness | 10/16/1939 | See Source »

...formally announced war aim of Great Britain is to eradicate "Hitlerism" surprised those who had heard him on other occasions criticize the British Government for countenancing aggression in Manchukuo, Abyssinia, Spain, Czecho-Slovakia. While some M.P.s, many of them Tories, were known to feel that peace was worth almost any price, the House of Commons generally thought that the Lloyd George speech was at best untimely for Britain and were fearful that the reaction abroad would hurt. When hot-headed M.P.s came near to suggesting that peace talk at such a time was the next thing to treason, the white...

Author: /time Magazine | Title: GREAT BRITAIN: Last Man | 10/16/1939 | See Source »

...career, he remarked, which has placed him at the top of all living violinists, has been worth while "only because of the satisfaction it has given me as an artist...

Author: NO WRITER ATTRIBUTED | Title: Fritz Kreisler Explains Difference of Successful Violinist from Great Artist | 10/13/1939 | See Source »

Kreisler, who opens the Boston recital season at Symphony Hall next Wednesday evening, said that he would not advise a young man to set out on a career such as he has had. He does not think the compensations of fame are worth all the demands it imposes...

Author: NO WRITER ATTRIBUTED | Title: Fritz Kreisler Explains Difference of Successful Violinist from Great Artist | 10/13/1939 | See Source »

...description of the statue would prove nothing. Its force of creative distortion would be frozen by the ice of descriptive wording. And in order to arrive at a fair evaluation of the ADAM'S worth, it would be necessary to devote many finely printed pages to a discussion of the statue, a discussion which would include Epstein's purpose, the complexity of various contemporary movements in sculpture, and a searching investigation of many other works of art which have been similarly received when first exhibited. Still the concentrated strength embodied in ADAM is penetrating enough to cause even the most...

Author: By Jack Wilner, | Title: Collections & Critiques | 10/9/1939 | See Source »

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