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...little more than a week ago, Granatelli, 50, got the razor's edge when his board of directors abruptly cut him loose and replaced him with John J. Hooker Jr., entrepreneur and sometime politician. Hooker was hand-picked by Derald H. Ruttenberg, chairman of the widely diversified Studebaker-Worthington Inc., which owns a controlling interest in STP. The keenly publicity-conscious Granatelli was almost as incensed by what he believed was inadequate press coverage of his ouster as by the firing itself. Groused Andy: "I don't know how that can happen when a company our size releases...

Author: /time Magazine | Title: CORPORATIONS: The Razor's Edge at STP | 10/15/1973 | See Source »

...group of numbers is misty-eyed romantic, starlight-in-champagne (I'll Follow My Secret Heart, Zigeuner, Someday I'll Find You). The other group pinches a satiric nerve with droll spoofery (Mad Dogs and Englishmen, Don't Put Your Daughter on the Stage, Mrs. Worthington). As a lyricist, Coward was a direct descendant of W.S. Gilbert, and in the modern musical theater only Lorenz Hart and Cole Porter were his peers...

Author: /time Magazine | Title: The Theater: The Master Entertainer | 4/9/1973 | See Source »

...Worthington, Ohio...

Author: /time Magazine | Title: Letters, Feb. 26, 1973 | 2/26/1973 | See Source »

...Arcadia being identified with an actual landscape. The West was not only a place but a state of imagination, which could invest almost any tract of virgin country between the Appalachians and the Rockies with a kind of epic innocence: nature unspoiled, inhabited by prelapsarian man. One itinerant painter, Worthington Wittredge, met the legendary scout Kit Carson in Santa Fe in 1866. "Nature had made a deep impression on this man's mind," Wittredge observed, "and I could not but think of him standing alone on top of a great mountain far away from all human contact, worshiping...

Author: /time Magazine | Title: Art: Draw, Pardner | 5/22/1972 | See Source »

Cozzens, to give him the benefit of any doubt, may have wanted Worthington's distended and directionless nar rative style to serve as a form of complex characterization and ironic statement: it is Worthington's recurring point that life is drift as much as design. In a wry put-on, Cozzens may have intended'to mock that notion. But if that is the case, the novel still fails, because Cozzens has chosen to write against the grain of his own special talent-that of a meticulous and compulsive craftsman-which demands the imposition of a precise design...

Author: /time Magazine | Title: Books: Cozzens Against the Grain | 8/30/1968 | See Source »

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