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Farago defends diplomacy's "obsolescent" verbiage: "Diplomacy would lose much of its spell once stripped of the belle tournure of its nomenclature." Corps Diplomatique itself is no slouch at belle tournure. With scholarly assists from Longfellow, Goethe, Lord Cecil, Dr. Johnson, Sir Henry Wotton,* Rousseau, Burke, Schiller, Lenin, Lord Castlereagh and Bronson Alcott, it delivers itself of such pearls as: "The bores and the bored whom Byron-called the 'two mighty tribes of society,' are still around and about. But diplomats, who are the best society, now follow Ruskin's advice and keep...

Author: /time Magazine | Title: THE CHANCELLERIES: Trade Paper | 5/20/1946 | See Source »

...rich young Englishman of the fin de siècle, was supposed to be the embodiment of youth's beauty and innocence. Artist Basil Hallward (Lowell Gilmore) was inspired by him to paint his masterpiece. But even as the finished portrait of Dorian stood drying, Lord Henry Wotton (George Sanders) infected the young man's mind with the dread of losing his youth and with the amoral desire to seek experience for its own sake...

Author: /time Magazine | Title: The New Pictures, Mar. 12, 1945 | 3/12/1945 | See Source »

...since 1933, the MARS exhibition was actually one of the most effective presentations of modern architecture and planning ever made. As Frank Lloyd Wright has gone back to Thoreau for common sense on building (TIME, Jan. 17), MARS architects and engineers invoked the authority of the Elizabethan Sir Henry Wotton, Izaak Walton's fishing companion, whose The Elements of Architecture defined good building as "commoditie, firmeness and delight." A "needs" section of the exhibit contained nothing less than a scheme for remodeling London, notable for its acceptance of the present radiating arterial roads and the insertion of park spaces...

Author: /time Magazine | Title: Art: MARS | 1/31/1938 | See Source »

Joseph Smith, a diffident, conscientious young man with moist hands and an awkward, absent-minded manner, was head gardener at Wotton Vanborough. In this subtly cockeyed novel so much is clear from the start. And his master, Sir John, was the son of a courtly rake whose adventures in the Edwardian era had burdened a number of titled matrons with offspring of discreetly doubtful parentage. One of the doubtful ones was Diana Haddon, now twentyish and one of London's brightest young things, at the moment dallying innocently with Sir John's young affections. There was also...

Author: /time Magazine | Title: Books: Modernist Miracle | 11/1/1937 | See Source »

...book begins with Joseph nervously putting last touches on the Wotton Vanborough exhibit. With this scene as its casual centre it launches into a circling recital of upper-crust extravagances and lower-class problems, mixed, its methodical madness suggesting nothing so much as a cross between Evelyn Waugh and Marcel Proust. Proust and Waugh have at bottom much the same chillingly precise appreciation of high-flown decadence, and the combination of their two techniques here serves the author very well. Waugh-ish are the incidental plot and background, which largely describe the scurryings from London to Paris to the Lido...

Author: /time Magazine | Title: Books: Modernist Miracle | 11/1/1937 | See Source »

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