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...refused approval of the picture. In return for the Navy's cooperation (Says Kramer: "I was practically in command of Pearl Harbor for five weeks"), the moviemakers had to endure some niggling at minor points. In the outcome, even the detailed 'tween-decks griping of Herman Wouk's novel has been effectively realigned into a proper topside salute to all things Navy...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 28, 1954 | 6/28/1954 | See Source »

...Another veteran cinemactor, 50-year-old Lloyd Nolan, will have a share of that immortality. As the Queeg of Author Wouk's incisive The Caine Mutiny Court Martial, now playing S.R.O. on Broadway, Nolan gives a comparably brilliant performance, last week was voted "best actor" of the 1953-54 season in Variety's annual poll of Manhattan drama critics...

Author: /time Magazine | Title: Cinema: The Survivor | 6/7/1954 | See Source »

Broadway, all this time, was also happily in business. In Herman Wouk's Caine Mutiny Court Martial, it turned out first-rate theater. In John Patrick's Teahouse of the August Moon (which won the Pulitzer Prize and the Critics Award), it offered the pleasantest sort of popular entertainment. In Edward Chodorov's Oh, Men! Oh, Women! it told an amusing yarn of a psychoanalyst. In Robert Anderson's Tea and Sympathy, by mingling homosexuality with a radiant Deborah Kerr, it produced ideal matinee drama...

Author: /time Magazine | Title: The Theater: Finish Line | 5/24/1954 | See Source »

Born. To Herman Wouk, 38, bestselling novelist (The Caine Mutiny) and playwright (The Caine Mutiny Court Martial), and Betty Sarah Brown Wouk, 33: their third child, third son; in Manhattan. Name: Joseph. Weight...

Author: /time Magazine | Title: Milestones, Apr. 19, 1954 | 4/19/1954 | See Source »

...Caine Mutiny Court Martial (adapted from his novel by Herman Wouk) comes off thoroughly good theater -and not least because it shuns the overtly theatrical. For stage purposes, Novelist Wouk has so backgrounded and built up the court-martial scene of his Caine Mutiny as to suggest a shipboard drama of events through a courtroom drama of character. Charles Laughton has staged the production with a superbly unswerving sense of the whole. Building slowly, the play at length walls in, not the court-martialed Lieut. Maryk, but his accuser, Commander Queeg, skipper of the destroyer-minesweeper U.S.S. Caine...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Feb. 1, 1954 | 2/1/1954 | See Source »

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