Word: wounded
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Dates: during 1990-1999
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...while keeping things tightly wound, he gives his actors plenty of room to breathe the heady air of his dialogue, with all its wit and thoughtfulness punctuated by obscenity. Says producer Lawrence Bender, who for a miserly $8.2 million mounted this glossy production (including a '50s-style restaurant set so cool that some backers want to franchise it): "It's the kind of dialogue that's so organic, you can chew, eat and digest...
Newt Gingrich has an eye for weakness, and when he spots it, he zooms straight in. Last week the House minority whip pounced on a tattered, Democratic- sponsored lobbying reform bill that was limping toward passage. He came in not for a kill, only to place a wound -- perhaps simply for pride of marksmanship. Straightening his Scotch tartan tie, the Congressman from Georgia upended his schedule, rushed from his second-floor office, stepped onto the House floor and delivered a five-minute, late-afternoon blast. He aimed at one minor and carefully buried clause, which he decried as "designed...
...passage through the Gauntlet is a skillful blend of stunt and special- effects work, nicely orchestrated by the director, Curtis Hanson. He is less skillful at building suspense around the campsites, possibly because the screenplay is not very tightly or eccentrically wound, possibly because Bacon takes his best line too literally. "I am a nice guy," he says at one point. "I'm just a different kind of nice guy." As a result, Bacon doesn't hone Wade's menace as sharply as he might. He needs to become more erratic, more dangerous, as they paddle farther and farther from...
Meanwhile, the Big Red wound up second in the Ivies, one year after having won the crown, and this year's squad is once again one of the strongest in the league...
...hour period in a big-city emergency room (Chicago again), and it's probably the most realistic fictional treatment of the medical profession TV has ever presented. The pace is furious, the narrative jagged and unsettling. Cases are wheeled in and out -- a severed hand, a gunshot wound, a child who has swallowed a key -- and while some are followed to a conclusion of sorts, others disappear without a trace. Yet the episode, directed by Rod Holcomb, is not just a cinema-verite jumble. The characters are fleshed out in a few deft strokes -- one doctor (Anthony Edwards) is being...