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...Temp Modernes, a review started by himself and Sartre in order to provide a Left, united by memories of the Resistance, with "a reading of the present... as complete and as faithful as possible ... " (quoted by Sartre in Situations. p. 168). Humanism and Terror consists of these articles woven, with other material in pursuit of the same themes, into a study of what he called the Communist problem. Koestler raises such a problem for us. says Marleau-Ponty, but he did not understand it. Indeed, Koestler is a "mediocre Marxist...

Author: By Timothy GOULD (copyright and The Author), S | Title: Phenomena Past Adventures | 1/16/1970 | See Source »

...resistance movement, he does not seem even to be groping for a sense of national or corporate repentance or change of mind and heart; and yet the idea of national or corporate repentance is almost uniquely ours as Christians and Jews because of the prophetic conception of religion woven into the basic fabric of scripture. Accordingly, there have been many religious leaders in our country in both the liberal and conservative tradition who have long cried aloud with Amos "that for three transgressions and for four" we may be doomed to ever more grievous turmoil within our nation and abroad...

Author: NO WRITER ATTRIBUTED | Title: For Three Transgressions... and for Four | 1/5/1970 | See Source »

...echoes sometimes blend into a solid chorus, credit must be divided between Director Gene Kelly and his choreographer, Michael Kidd. Ernest Lehman's script is based on the Broadway musical (which was based on Thornton Wilder's farce The Matchmaker). It is woven from a solitary yarn. Matchmaker Dolly Levi sets great store by Horace Vandergelder's feed and grain store and decides to snare him for her own. She does. Curtain. In between their coy runaround, tiny complications arise. None of them matter, but several are the premises for blithe and sumptuous dance numbers. The most...

Author: /time Magazine | Title: Cinema: Echolalia | 12/26/1969 | See Source »

...lighted room of the Boston Museum of Fine Arts a lady pointed her glove at two almost identical prints of a round faced artist sitting near a window. "Can you see the difference?" she asked the boy standing next to her. And showed him where a shadow of tightly woven lines crept over the side of the face in one print, softening the mouth and eyes. This conversation startled the carpeted gallery out of its silence. Businessmen, students and more ladies offered advice in distinguishing the difference between other apparently similar prints, exhibited around the room...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

...ability to visualize some 80 different colors in his mind. Like do-it-yourself, fill-in-the-numbers paintings, his designs go off to the factory as line drawings spotted with the numbers of his private rainbow. Invariably, he is pleased with the result. Seeing his Argentine-woven rugs ($700 to $1,500 each) for the first time last week, he remarked simply: "I find these rather superb...

Author: /time Magazine | Title: Design: Prince of Prints | 10/10/1969 | See Source »

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