Word: wozzeck
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...libretto, drawn from Jakob Michael Lenz's 1776 play, concerns the seduction and degradation of a middle-class girl, Marie, by a group of soldiers, among others. The opera's connections with Berg's Wozzeck and Lulu are obvious. Wozzeck too is about soldiers and their sordid love lives and has a heroine named Marie; like Die Soldaten, it is constructed in 15 self-contained, even aphoristic, scenes. Lulu-like Die Soldaten, a twelve-tone opera-similarly features a heroine who ends up a common prostitute. Zimmermann deliberately invoked the shade of his illustrious predecessor; the challenge...
...sings the famous Habanera while engaging in some erotic byplay with a cigar, thrusting it into Don José's mouth at the words "L'amour, I 'amour. " In its total bleakness this is Carmen seen by a man familiar with Alban Berg's operas Wozzeck and Lulu, twin 20th century masterpieces of love, alienation and despair. The production also reflects Brook's distaste for conventional Bizet, which goes back to the time, 30 years ago, when he was production chief at London's Royal Opera House. "I looked with horror...
...Donna del Lago is Home's seventh Rossini opera. Although she has sung such disparate roles as Carmen and Marie in Berg's Wozzeck, it is with Rossini that she has had her greatest triumphs. In 1964, she first came to attention in the "pants" role of Arsace in Semiramide. Home has stayed at the top of her profession for 20 years by taking care of her voice. Says...
...traditions. It would also include Debussy's Petteas et Melisande, the French composer's 1902 masterpiece of Gallic allusion and understatement; Benjamin Britten's Peter Grimes, the most important work to enter the international repertory since World War II; and Alban Berg's twin monuments - Wozzeck, the seminal opera of our time, and Lulu, the apotheosis of the twelve-tone system...
...great progressivists," Igor Stravinsky once declared, were Gluck, Wagner-and the Viennese modernist Alban Berg. Stravinsky was not being merely provocative. As the years go by, Berg's claim to belong in such illustrious company looks more and more secure. It rests on two complex, powerful works, Wozzeck and Lulu, that in effect brought opera into the 20th century. Lulu, in particular, packed traditional operatic emotion and drama into the most advanced of forms, the twelve-tone system devised by Berg's teacher, Arnold Schoenberg...