Word: wreathes
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Dates: during 1980-1989
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...given to the Soviet entourage and the 80 or so reporters who accompanied Gorbachev from Moscow. What the book did cover often proved useless. Gorbachev did not "arrive by car" at Tiananmen Square nor, accompanied by two soldiers of the Chinese honor guard, did "the distinguished guest" lay a wreath at the Monument to the People's Heroes. And what about that passage on proper behavior at the Beijing Opera? Mikhail and Raisa never enjoyed a night...
...questions about the student demonstrations, the director of the Soviet press center at the Beijing International Hotel finally blew up. "You are putting us in a difficult position," he snapped. "Ask questions about our country." Foreign Ministry press spokesman Gennadi Gerasimov resorted to irony when queried about the wreath-laying ceremony. "We are guests and never argue with our hosts," he replied. "We recognize that it would be physically impossible to carry out this part of the program. But it is a matter for the Chinese...
Once, wars were called off for the Olympic Games, but lately the Games have been lopped off for wars. Like a wreath bent out of shape by an ocean wave, one Olympic ring at a time, representing a continent or so, has dislodged itself in a snit and drifted away. The race was still won in 1976, but the Africans weren't in Montreal. The basket was still scored in 1980, but the Americans weren't in Moscow. The weights were still lifted and the punches still landed, but in 1984 the Soviets and Cubans weren't in Los Angeles...
...that the former Karol Cardinal Wojtyla of Cracow did not need to have his remarks translated into Polish. At many stops, copies of Gorbachev's book Restructuring and New Thinking were thrust into his face by fans seeking autographs. Gorbachev usually complied, though when a young fan at a wreath- laying ceremony in Warsaw passed his green neckerchief for a signature, the Soviet leader demurred. "How can I sign this?" he asked good-naturedly. "I'll tie you a knot instead...
...some time before the U.S. sees a finer group of Turner watercolors than those assembled for the show. They cover all the phases of his work, from early picturesque scenes of ruins such as Tintern Abbey through the grandly managed complexities of his Alpine views with every pebble and wreath of mist in place, like The Passage of the St. Gothard, 1804, to the mists and chromatic blooms of his amazingly modern late watercolors...