Word: wrecking
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Dates: during 1960-1969
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After he sold his controlling interest in the Chicago White Sox in 1961, Bill Veeck never stopped itching to "get involved again with people." In his best-selling 1962 autobiography Veeck-As in Wreck, he vowed: "Look for me under the arc lights, boys, I'll be back." Now, thumping the promotional drums as loudly as ever, the old Barnum of baseball has returned-but not to baseball. He is the new president and part owner of East Boston's Suffolk Downs race track...
...minute continuos track which follows their car as it passes a line of autos stopped on the highway. The horns that assault one throughout the scene act on them only as low-level irritation. When they come on the front of the line and discover that a car wreck (corpses strewn on the bank) is the cause of the delay, they simply accelerate past; the camera's move into high-angle, giving the shot of bloody bodies and smashed cars a mood of tragedy, is ignored by the motorists who drive into the distance. The scene is a brilliant metaphor...
...making their predictions, some of the scientists harked back to two ear lier oil disasters - the wreck of the tanker Tampico off Baja California and the rupture of the Torrey Canyon off the English coast, both of which devastated marine life. While the Tampico carried partially refined and relatively volatile diesel oil, the oil seeping up into Santa Barbara Channel was unrefined crude, which is considerably less lethal. More over, the Santa Barbara oil spill was spread over a vast expanse of sea and did not wash up onto the beaches immediately. Much of it lingered on the waves before...
Nearly everyone has heard of Rod McKuen: he has written 900 songs that have been recorded by other people and sold more than 50 million records; his three books of poetry have sold more than a million copies. In his gritty wreck of a voice, he has recorded 35 albums of his own songs, and last year he wrote the scores for two movies. It was not until last week, though, that McKuen got that ultimate symbol of success: his own TV special, a one-man show on NBC, called "Rod McKuen: The Loner...
Capua's race relations deteriorate. The compulsive winner becomes a perpetual loser-until the day of the big one, the Indy 500. Director James Goldstone even manages to make a wreck of the most celebrated American auto race. Progress is as circular and unsurprising as the movement of a minute hand; the script is reminiscent of a radio play, with an announcer booming: "It's a different Frank Capua out there today!" When the film casts a sociological eye, it is toward such riddled targets as baton-twirling teeny-boppers and accident-hungry spectators...