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Total Squash Basketball Hockey Swimming Skiing Boxing Wrest. Fencing...

Author: NO WRITER ATTRIBUTED | Title: Winter Straus Points | 3/25/1970 | See Source »

Perhaps Malcolm X's most enduring legacy to black militancy was his lynx-eyed criticism of the hand-wringing but hapless efforts made by black and white liberals to wrest from the machinery of American democracy anything more than promises and paper shuffling. Extremist in many ways, Malcolm X was most effectively extreme in sheer impatience. In his view, as one of his "blue-eyed" fellow citizens once remarked in another connection, "Extremism in the cause of justice is no vice...

Author: /time Magazine | Title: Books: Malcolm X: History as Hope | 2/23/1970 | See Source »

...Cradle Will Rock was a hard play to kill. The need still exists for people to wrest control of their lives from the governments and businesses and the men who pander themselves to money and power. This Saturday, the memory of men like Blitzstein will be honored. "One day when everybody gets together" says Larry Foreman in the final scene...

Author: By Michael J. Bishop, | Title: The Theatregoer The Cradle Will Rock Tonight and Thursday at the Loeb Ex | 11/12/1969 | See Source »

...this new sensibility and enchantment with the individual is found in the poems of Robert Lowell, Sylvia Plath and others. The Lowell poetry is confessional poetry, I have thought, and recently I bought a record of his autobiographical poems. I think these poems told me how he came to wrest a new view of the world from his old background. And, as I remember his poetry, with the fragmentary recall we use to remember such literature, these themes come to mind: love, anger at unintended cruelty, cynicism, a restlessness in the presence of old portraits, and a cry that someone...

Author: By Archie C. Epps, | Title: The Sum and The Parts | 10/6/1969 | See Source »

What does one say to the individual black who must wrest his own sense of power from the white...

Author: By Archie C. Epps, | Title: The Sum and The Parts | 10/6/1969 | See Source »

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