Word: wright
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Dates: during 1960-1969
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...Senate Communications Subcommittee. No canned laughter is added to the sound track. There is one deferential addition for the American viewers, though: a brief epilogue and tidy ending, showing the Caine and Calder-Marshall courtship heading for consummation, probably in wedlock. Another hopeful outcome is that Play wright Owen is now drafting a sequel: Female of the Species, starring Elizabeth Taylor and Claire Bloom. It is scheduled for NBC in January. Owen refuses to comment on whether NBC has asked them to milk down ("Pastoreize," in TV slang) Female for Americans in this season of censorship...
...since putting had been his biggest hangup through all four rounds at the National Cash Register golf course at Dayton. He took a total of 121 strokes on the greens-six more than Player, five more than Bert Greene, who finished third, and eleven more than fourth place Jimmy Wright. Floyd really won the P.G.A. with his booming, if sometimes errant drives, and with his beautifully wrought iron play. He hit 59 greens in par, compared with Player's 53. There was another ingredient in Floyd's winning eight-under-par score of 276: self-assurance. "I feel...
...Details." Very probably it did. With its assortment of Louis Sullivan and Frank Lloyd Wright buildings, the city was certainly receptive to architectural innovations. For its part, the institute not only gave Mies free rein to organize his school but asked him to design a 22-building complex for its campus. In the years that followed, Mies designed dozens of landmark structures in cities around the world, each distinguished by structural economy, elegant materials and an absolute perfection of detail. "God is in the details," Mies would say, and he spared no pains to achieve that perfection...
...shape of monument for the world to admire. Mies purifies and purifies till, as at Seagram, he makes the paradigm for America's tall building. I don't want to be interesting, I want to be good,' he liked to say. Ronchamps is more amazing; Wright's Guggenheim far more extraordinary; but the Seagram Building may perhaps be the most 'good...
Mies' death closed one of architecture's more glorious chapters. Along with Frank Lloyd Wright, the arch individualist who pioneered an organic approach to space, Le Corbusier, the daring gambler with expressive form, and Walter Gropius, the dogged exponent of functionalism-all dead now-he had shaped the buildings of the 20th century. Whoever successive generations may follow, or aspire to emulate, they must take Mies into account. He set down principles and raised standards for construction from which there can be no retreat...