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...Kern musicals that McGlinn put in Carnegie Hall nearly 20 years ago: they have beautiful scores and the sort of silly-funny libretti dear to the Encores! audience. Bring 'em back alive! And for a more modern piece, I recommend the 1961 "Kean," with a sumptuous score by Robert Wright and Chet Forrest of "Kismet"fame and a luminous title role (originally played by Alfred Drake) that would be perfect for Encores!' signature male star, Brian Stokes Mitchell...

Author: /time Magazine | Title: That Old Feeling: Bravo! Encores! | 6/12/2004 | See Source »

According to Wright-Swadel, extending 39 offers puts Teach for America’s recruiting efforts up there with those of the big financial houses like Goldman Sachs...

Author: By Kate L. Rakoczy, CRIMSON STAFF WRITER | Title: The Day After Tomorrow | 6/10/2004 | See Source »

...Wright-Swadel explains that students respond favorably to aggressive on-campus recruiting...

Author: By Kate L. Rakoczy, CRIMSON STAFF WRITER | Title: The Day After Tomorrow | 6/10/2004 | See Source »

...Wright-Swadel had one lesson to impart to the graduating senior class, it would be that “career change is very normal for Harvard students...

Author: By Kate L. Rakoczy, CRIMSON STAFF WRITER | Title: The Day After Tomorrow | 6/10/2004 | See Source »

...Wright-Swadel argues that 15-20 years down the line, our class will be working in jobs that don’t even exist now. Thus, he says that Harvard students should focus their career planning on building a particular skill set—and not climbing a particular ladder. For him, the question is not “What are you doing after graduation?” but “What are you learning...

Author: By Kate L. Rakoczy, CRIMSON STAFF WRITER | Title: The Day After Tomorrow | 6/10/2004 | See Source »

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