Word: wrighting
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...Fuzz, written by the English team of Simon Pegg (the movie's star) and Edgar Wright (its director), who did the zombie comedy of manners Shaun of the Dead. That film was a Molotov cocktail of genres: an Anglo-American combustion of romantic Brit comedies like Notting Hill and the U.S. zombie genre so robustly exhumed in Night of the Living Dead. Or, as Wright and Pegg pitched it: "Richard Curtis shot through the head by George Romero...
...Inhabiting the movies-only aesthetic of Quentin Tarantino and Robert Rodriguez (to whose Grindhouse double feature Wright contributed a funny mock-horror trailer), Wright and Pegg have topped Shaun of the Dead by trans(atlantic)planting a whole gaggle of genres: the English-village comedy, the Wicker Man strain of rural horror, any number of Brit police TV series and its main reference point, the Hollywood action film. But the thing to cherish - and I hope I won't scare you away with this - is how bloody English it is. By which I mean, bloody funny...
...Peter Sellers, Beyond the Fringe and the Beatles (whom we saw as essentially a musical comedy team) and culminating in Monty Python's Flying Circus. A lot of American kids got a lot of their sense of humor from these inspired sources; and so, on the evidence, did Wright and Pegg. Shaun of the Dead was shot at Ealing, and takes its skewed vision of English community from the films made their more than a half-century before. Hot Fuzz has much the quirky vibe of Nick Park's stop-motion animated comedies of rural English life. Only this...
...diff between this movie and the Hollywood product it either parodies (the cop-buddy action pics) or resembles (the current wave of Stiller-Ferrell-Vaughn-Wilson-Wilson slob-buddy comedies) is that Wright is an actual filmmaker. His acute sense of visual wit, rich but not assaultive, puts me in mind of Buster Keaton's classic silent farces. To Wright, the movie screen offers a smorgasbord of small, savory gags to be sampled by the attentive viewer; it's not a grapefruit pushed in your face...
...Death Proof.”The two are even separated by a series of faux trailers contributed by the directors’ friends and fellow exploitation enthusiasts (“Hostel” director Eli Roth, “Shaun of the Dead” director Edgar Wright, and heavy metalist Rob Zombie among them). The film stands as an homage to a time when grindhouses served as the unofficial outposts for a select set of disgruntled adolescents ill-served by the Hollywood studio system and looking for an alternative. An alternative which they found in low budget flicks that...