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...most indelible acting moments. Watch her drive alone from an ill-advised rendezvous with her boss and see the emotions illuminate Linney's face like flickering candles - a smile, a jolt of sadness, a surge of joy. "She made a little play out of that," says the film's writer-director, Kenneth Lonergan. "Laughing and feeling guilty and laughing again...

Author: /time Magazine | Title: Six Boffo Actors Worth Checking Out | 1/8/2001 | See Source »

...Writer-director M. Night Shyamalan's last film, The Sixth Sense, left viewers discussing and lauding praise long after the film had ended. The after-movie conversation of viewers of his latest movie, Unbreakable, however, will be nothing more than confused audiences attempting to discern what they have just witnessed...

Author: By Rebecca Dezube, CONTRIBUTING WRITER | Title: Shattered: 'Unbreakable' Not Quite Air-Tight | 12/1/2000 | See Source »

...This is writer-director M. Night Shyamalan's native ground, and as he did in last year's coolly creepy sleeper The Sixth Sense, he uses it brilliantly. Nobody grounds the supernatural in the quotidian--especially the lower-middle-class variety, where the struggle to make the rent can equal the struggle to understand the unseen--more persuasively than Shyamalan does...

Author: /time Magazine | Title: Cinema: Insinuating Entertainment | 11/27/2000 | See Source »

...hear that the subject is the growing pains of a boy (William Eadie) in an infested slum during the 1970s Glasgow garbage collectors' strike, you may bolt from the theater, saying, "I gave at the office." Stay, all the way to the magical-tragical ending. Writer-director Ramsay neither sentimentalizes nor garishes up the lost children in this observant and poetic drama. She sees that kids aren't good or bad; they are exactly as weak, dreamy, vicious and stranded as the rest of us. Ratcatcher sears; it is hard to take, hard to shake...

Author: /time Magazine | Title: Cinema: Ratcatcher | 10/30/2000 | See Source »

...writer-director, son of political cartoonist Ranan Lurie, lets his large, attractive cast display varieties of charisma and chicanery for an hour or so. Then he has everyone make speeches; it's as though a TV remote control had switched from The West Wing to the Lieberman-Cheney debate. All drama, not to mention insider dish, gets lost in the wind tunnel. By the end, The Contender is as edifying and stultifying as--what would the real-life equivalent be?--a Ralph Nader presidency...

Author: /time Magazine | Title: Cinema: Filibluster | 10/16/2000 | See Source »

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