Word: writer-director
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...It’s not necessarily the best film, but it’s the one that moves me most...It’s the only time a script came to me in a dream,” quipped writer-director Paul Schrader at a screening of his 1992 film “Light Sleeper” during last weekend’s three-day retrospective of Schrader’s life at the Harvard Film Archive (HFA). “I mean, a lot of scripts come to me in dreams. It’s the only time...
...Both Morel movies were produced and co-written by Luc Besson, who's a one-man French film industry. He earned his early rep as a writer-director with Subway, a vivacious crime melodrama, then made the Hollywood-influenced thrillers La Femme Nikita and The Professional (which introduced Natalie Portman) and the Bruce Willis sci-fi hit The Fifth Element. Rarely directing movies anymore, he's produced nearly 70 of them this decade, most set in Paris, many in English, including the Transporter series and a couple of Jet Li action adventures. Besson is Hollywood in another...
...movie had no-name stars - in fact, fake-name stars: Herb Streicher was going by Harry Reems, and Linda Boreman by Linda Lovelace. The writer-director, a Bronx hairdresser who'd never done a porno feature before, called himself Jerry Gerard. This was early 1972, and the people making hardcore sex movies considered themselves lucky to exhibit their wares legally, let alone have their real names on them. All "Gerard" had was a cute idea for a porno comedy, and a leading lady with a special talent. He also wanted to change the movie's title, from The Sword Swallower...
...like “reality that takes place beyond three dimensions.” I thought that was an interesting and appropriate way of looking at it. THC: What was the impetus behind “The Ghost in Love”? JC: I love 1930s screwball comedies. The writer-director Preston Sturges is one of my heroes and movies like “Sullivan’s Travels” or “Palm Beach Story” should be included on every space capsule that’s sent out into the heavens to show creatures...
...plot is about some high-paid London lowlifes and a missing "lucky painting." But the real suspense surrounding Guy Ritchie's RockNRolla is this: Can the writer-director return to his early form and fame - when his debut feature Lock, Stock & Two Smoking Barrels made him the hot young bloke - and emerge from the career burden of being Mr. Madonna? It's got to be time-consuming, and reputation-deflating, for a distinctive filmmaker to be dodging the paparazzi, shopping for a baby in Malawi and enduring gossip that your wife is palling around with A-Rod. Simply finding time...