Word: writer
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Dates: during 1960-1969
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...second week after defecting to the West, Soviet Author Anatoly Kuznetsov continued to detail his grim account of what it means to be a writer in the Soviet Union. "It is a frightful story," the novelist wrote in a copyrighted article in London's Sunday Telegraph. It is the story of a man haunted and hounded by Russia's massive secret security apparatus, the KGB. It is the painful record of an individual who, because he was expected to inform on friends, was forced into one moral crisis after another. Determined to escape, he finally resorted...
...know a single writer in Russia who has not had connection with the KGB," declares Kuznetsov. The connection, he explains, takes one of three forms: direct collaboration, limited cooperation, or a refusal to collaborate (in which case a writer is usually not published). The intimacy of the association depends largely on the writer's principles. For years, Kuznetsov chose the middle course, promising to report any "anti-Soviet activities" that he witnessed but refusing to spy on other writers. Once, after Kuznetsov had listened to a disillusioned scientist complain about being forced to work out mass-kill formulas...
...legislator to protect his state's coastal wetlands from such destruction, and is particularly interested in seeing ecology taught to students of other disciplines such as law and sociology. >Barry Commoner, 52, chairman of the botany department at Washington University in St. Louis, is a prolific lecturer and writer (Science and Survival) who brings an ecologist's insight and a polemicist's passion to the dangers of environmental pollution. "The new technological man," says Commoner, "carries strontium 90 in his bones, iodine 131 in his thyroid, DDT in his fat and asbestos in his lungs. There...
...this Penelope Ashe, anyway? Until last week, she was a "demure Long Island housewife" seen stroking her Afghan hound on the book jacket of Naked Came the Stranger. Dutifully, à la Jacqueline Susann, she made the rounds of radio and TV interview shows saying things like "a writer's gotta impale his guts on the typewriter." C'mon Penelope, you gotta be putting...
Ready? In the late 1930s, Justine (Anouk Aimée), the sensual wife of an Egyptian banker named Nessim (John Vernon), had been yearning after the aloof British diplomat Pursewarden (Dirk Bogarde), although she had to content herself with the favors of Darley (Michael York), a young writer and lover of a belly dancer named Melissa (Anna Karina). Suddenly Justine and Nessim are revealed as Coptic Christians involved in smuggling guns to Palestine so that the Jews can fight the British. Pursewarden, who knows of their treachery, keeps silent, apparently out of love for Justine. Melissa meanwhile goes...