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Word: writer (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...speeches begin in 1965, when Grass campaigned for Willy Brandt, mayor of Berlin, then attempting to become Chancellor. In an essay not reprinted in this book, Grass explained, "The writer can become the conscience of his nation when he throws over his desk for a while, and, as a citizen, engages in politics." As a campaigner for Willy Brandt, as a critic of Willy Brandt for allowing the Social Democrat Party to join in the Great Coalition with the Christian Democrats, Kurt Kiesinger's party, and as a president critic of Kiesinger, who took the Chancellorship with a Nazi past...

Author: By Aileen Jacobson, | Title: Speak Out! | 6/2/1969 | See Source »

When Grass criticizes contemporary German society in his novels and plays (a new play concerning a leftist student and a bourgeois dentist just opened in Berlin), he is not always successful, either as writer or as propagandist. The Plebeians Rehearse the Uprising is proof of that. But in these speeches, he bluntly and without false pretenses practises the involvement in politics by German citizens that he espouses...

Author: By Aileen Jacobson, | Title: Speak Out! | 6/2/1969 | See Source »

Gothic Eccentricity. Unlike many Catholic writers, Miss O'Connor never felt caught in the traditional bind between religion and art. "When people have told me that because I am a Catholic, I cannot be an artist," she said, "I have had to reply ruefully that because I am a Catholic, I cannot afford to be less than an artist." What she did was make literature her highest office by accepting the Thomist dictum: "The good of an art is to be found, not in the craftsman, but in the product of the art" "The fiction writer," she observed, "writes...

Author: /time Magazine | Title: Books: Dust for Art's Sake | 5/30/1969 | See Source »

...Henry James and Joseph Conrad, two authors who shared an ability to interweave seamlessly dramatic theme and moral vision. Pooh-poohing grandiose abstractions, she persistently reasserted that the prime requisites for fiction are specific details, concrete images and exact sensations. "The fact is that the materials of the fiction writer are the humblest. Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough...

Author: /time Magazine | Title: Books: Dust for Art's Sake | 5/30/1969 | See Source »

...most certainly Christ-haunted." She pursued her own art with a strict attention to the order, proportion and radiance of what she was creating. Perhaps that is why Mystery and Manners inadvertently provides a fitting epitaph for the books that she so artfully created before her death. "The fiction writer presents mystery through man ners, grace through nature," she wrote in 1957, 'But when he finishes there always has to be left over that sense of Mystery which cannot be accounted for by any human formula...

Author: /time Magazine | Title: Books: Dust for Art's Sake | 5/30/1969 | See Source »

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