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Word: writer (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Nonetheless, his writing doesn't lack a sense of involvement and excitement--for Wolfe, writing parallels method acting. As a writer, he projects himself into the personalities of the characters he is describing, he records their sense of the world, trying to recapture "the trauma of the moment" as they experienced it. In this way, most of The Acid Test dips in and out of the consciousness of Kesey and his freaked-out disciples, and yet also manages to touch on many of the minds of the frightened and threatened in the old America--like the "unhip mama" with...

Author: By Gregg J. Kilday, | Title: Tom Wolfe | 5/8/1969 | See Source »

...both its masculinity and whatever juicy meaning it had left. It became, in effect, an extremely derogatory form of "damn." And now even that meaning is being diminished. People use "fuck" so freely, and so many respectable magazines have decided to print it wherever necessary, that at least one writer in Esquire has used **** instead...

Author: By Sandy Bonder, | Title: End of Obscentiy | 5/6/1969 | See Source »

Deep down, we would like every writer to be either a natural reaconteur or a mystic. Partly, this is because the role goes with the job, as the priest's garb goes with his--we want assurance that the author is inspired. Partly, it is because personality is something we can grasp and bring down to earth: if we can possess the personality, perhaps we can possess the inspiration. The poet-priest is sacred; no one (now) would dare be hostile to Borges...

Author: By Peter D. Kramer, | Title: Styron at Winthrop | 5/5/1969 | See Source »

...WRITER from Paris in the Atlantic Monthly a while ago lamented upon the scarcity of exceptional literary talent in France today, and suggested that this talent has been channeled into film...

Author: By Theodore Sedgwick, AT THE ORSON WELLES | Title: Pierrot Le Fou | 5/2/1969 | See Source »

Jean-Luc Godard has said that he would have been a writer had the medium of film not been available to him, but that film is simply the best way of expressing himself. Like Orson Welles, he is a prime exponent of the auteur theory of filmmaking, i.e., that the director is responsible for all aspects of his film...

Author: By Theodore Sedgwick, AT THE ORSON WELLES | Title: Pierrot Le Fou | 5/2/1969 | See Source »

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