Word: writer
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Dates: during 1970-1979
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...second part of The Motion Picture describes the Enterprise crew's interception and final solution to the problem. The first half seems aimlessly tacked on. The writer and producer thought it necessary to explain the ten year gap between the last episode of the Star Trek television series and The Motion Picture. The resulting footage is not only unwieldy and expensive (a five-minute sequence involving the Starfleet's San Francisco headquarters must have cost at least $2 million) but also damages the rest of the show--the half-hour wasted on James T. Kirk's procession to the Enterprise...
...Maher), a British businessman with the most mines to lose. Dick Wagner (Paul Hecht) is a hardbitten Aussie, and a staunch unionist with a habit of regarding the Daily Globe, his paper, as larger than the earthly one. He is visibly miffed to find that an idealistic fledgling staff writer, Jacob Milne (Peter Evans), has scored a beat on him by interviewing the rebel leader. The trio is completed by a photographer (Dwight Schultz) who has apparently seen some thing of this increasingly nebulous struggle. As the play progresses, all the gentlemen in it begin to resemble rhetorical wallpaper...
...painter of boulevards and ballet dancers now in print. A student of Ingres's and the great contemporary of Manet, Flaubert Sand the Goncourt brothers, Degas was one of those ocular witnesses without whom the cultural life of France in the 19th century cannot be understood; and no writer has done a better job of placing this tetchy, formidable genius, with his astonishing powers of observation iand his bitter tongue ("Whistler, you behave as though you have no talent"), within the milieu of his time. Dunlop writes with warm understanding of Degas's paintings, discussing them without jargon...
...Mississippi and led its successful fight to unseat the all-white regular delegation at the 1968 National Convention. He joined Jimmy Carter's campaign early in 1976 and now jokes: "I was chosen for this job either because I was a small-town editor, I was a brilliant writer, or I worked for Jimmy Carter. Obviously it was because I worked for Jimmy Carter...
After graduating from Radcliffe in 1963, Goodman worked as a Newsweek researcher and later a Detroit Free Press reporter before joining the Globe as a feature writer in 1967. The Globe let her write a few opinion pieces and in 1972 made her a regular columnist, first in the Living section and then on the editorial page. Says Anne Wyman, the Globe's editorial-page editor: "At the beginning, I thought she was rather shrill. She's become much more thoughtful, much more serious, also much more compassionate." Goodman is not a columnist who strives for Delphic detachment...