Word: writer
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Dates: during 1970-1979
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...GHOST WRITER by Philip Roth Farrar, Straus & Giroux; 180pages...
...Ghost Writer promises the incredible with the suggestion that Anne Frank is alive and working at Harvard's library. But Roth steps back from the inviting brink of fantasy. He retreats, in fact, to the drab reality of the 1950s, the time of his own spectacular debut as the author of Goodbye, Columbus. The new book retains the look, if not the actual furniture, of autobiography. Goodbye, Columbus is called Higher Education; its author is Nathan Zuckerman who, like Roth, was raised in a middle-class Jewish section of Newark. His story is based on a family embarrassment...
What the tribe finds offensive, the literary priesthood hails as original. Zuckerman is granted an audience at the Berkshire retreat of E.I. Lonoff, a celebrated carpenter of ironic Jewish stories. To the young writer, art replaces traditions, Lonoff supersedes all spiritual advisers as the chief rabbi of aesthetic purity, and the visit itself becomes a kind of bar mitzvah at which Zuckerman is accepted as a man and a writer...
...real Amy curtly evades Nathan's questions about her background. She is a smart and very tough cookie. As is Lonoff; as is Zuckerman; as is Roth himself. The Ghost Writer is a bruising book. Within its artfully tangled plot, Roth tells off his critics and debunks romantic notions of the writing life. Henry James' "passion of doubt" and "madness of art" become a medieval incubus and fanatic patience; Lonoff, more the ascetic Old World Jew than his Yankee trappings might indicate, spends all his time pushing sentences around and worrying about them. His comment on writing...
...comes dangerously close to unimaginable Holocaust humor. It is funny and embarrassing at the same time, a God-forbidden break in decorum that allows the anarchic spirit out for a breath of air. Roth has always excelled at this, and if the reader is offended, The Ghost Writer strongly suggests that it is not the author's problem.-R.Z. Sheppard