Word: writer
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Dates: during 1980-1989
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...script unfolds, it becomes clear that the characters in the detective plot are all based on the people around the writer at the studio -- indeed, the same actors play both sets of roles. This connection leads to countless comic effects. In the splashiest, the perennially disappointed "other woman" (Randy Graff) of both plot lines switches characters, costumes and locales in mid-song, all without missing a beat of her ferociously funny lament, You Can Always Count...
...spooky guru bilking the faithful. Librettist Larry Gelbart cheerily exploits these cliches without sneering at the genre. In telling the Hollywood side of the story, however, he is at times as snide as in his just closed satire of Iran-contra, Mastergate. But when he becomes cranky about the writer's woeful lot, the show is redeemed by the wit and humanity of David Zippel's lyrics and the zip of Cy Coleman's score, which delights in the past without sinking to pastiche except, maybe, in the close- harmony numbers of a group resembling the Modernaires...
...research job at the Gorky Institute of World Literature. But then, in 1956, the scholar-critic secretly wrote his fanciful Tertz stories, which were published abroad in 1959. It took five more years before the authorities discovered Tertz's real identity, arrested Sinyavsky and made him the first Soviet writer imprisoned for expressing opinions through fictional characters...
...writes Sinyavsky, "the past cannot be grasped in sequence." Realism, too, is all thumbs. In order to re-create the bizarre atmosphere of his KGB interrogation, the author restages the experience as a one-act farce. Karl could have been one of the Marx Brothers. Some typical dialogue between writer and inquisitor...
...WRITER-REPORTERS: Edward M. Gomez, Alain L. Sanders...