Word: writes
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Dates: during 1980-1989
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When Associate Editor Richard N. Ostling began to study the recent controversies surrounding U.S. television evangelists and then to write this week's cover story, he called on 22 years of religion reporting and a lifetime in mainstream Protestantism. He wrote the TIME covers on Televangelists Jerry Falwell (1985) and Pat Robertson (1986), and has spent countless hours in recent years watching the shows of TV preachers and poring over their periodicals. Reared as an American Baptist, Ostling is perplexed, as are many other Evangelical Christians, over the phenomenon he calls theme- park Christianity. The electronic churches, he says...
...right about the girl's underdeveloped intellect, but he does not recognize her ability to learn, as her cousin Sasha will later write her in a letter, "through your skin." Hillela is a blank slate: "For me," she says, "everything happens for the first time." She does not, for instance, think that her people, the whites, are necessarily better than the blacks. Since she is free of such preconceptions, she can travel easily and lightly through Africa, a place where old rules are crumbling or no longer apply...
...interview with TIME, the President declared, "Pakistan has the capability of building the Bomb. You can write today that Pakistan can build a bomb whenever it wishes. Once you have acquired the technology, which Pakistan has, you can do whatever you like." Zia added, however, that Pakistan still has no actual plan to make nuclear weapons...
...time the contributions began, it was not illegal for the U.S. to solicit money for the contras. Why, then, did McFarlane take pains to write about the contributions when he was on the point of taking his own life? Says Garment: "Bud wanted to make complete disclosure. He wanted to clear the air." A source who has seen the letters adds that McFarlane "felt he may have created the atmosphere" that prompted North and others to solicit funds for the contras that were at best legally dubious. In any case, the letters make clear McFarlane's despair. Says one source...
...classical music, in Japan he is a role model to thousands of young performers. Yet his exalted position is resented by many; to them, he is still the nail that sticks out. In the West, old questions about how deeply he understands music continue to dog him. His detractors write of his "blank interpretations," and indeed Ozawa has always been more effective in Strauss and Stravinsky showpieces than in Beethoven symphonies. Music that demands depth rather than flash taxes him. He has taken up opera in Europe, but his strengths and weaknesses remain the same: his Elektra in Paris...