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Yann Martel's Beatrice and Virgil begins with a dreary little piece of self-referential play. Henry, the hero, is a novelist trying to write a follow-up to his prize winning first book. Similarly, Martel's Life of Pi won the Man Booker Prize in 2002, and now he's produced a follow-up in the form of Beatrice and Virgil. This kind of metafictional loop has become a convention as well-worn as those it was meant to explode. Somebody needs to come up with a fifth wall to break. (See the all TIME 100 novels...

Author: /time Magazine | Title: Shock the Monkey | 4/26/2010 | See Source »

...really like to get involved with club crew and would like to write for the Harvard Advocate...

Author: By Steven T. A. Roach, CONTRIBUTING WRITER | Title: Visitas: Interviews with Prefrosh | 4/23/2010 | See Source »

...thought,] ‘I can’t write because I can’t think and if I can’t think, why am I alive?’” she said. “It was a huge spiral; it was the biggest kind of slippery slope you could imagine...

Author: By Asli A. Bashir, CRIMSON STAFF WRITER | Title: Brain Break | 4/23/2010 | See Source »

...Life of Pi” featured a tiger, an orangutan, a hyena, and a zebra. Your upcoming book “Beatrice & Virgil” features a monkey and a donkey. Let’s get real here—do you really want to write or do you just want to open up your own menagerie...

Author: By Anna M. Yeung, CRIMSON STAFF WRITER | Title: 15 Questions with Yann Martel | 4/23/2010 | See Source »

...Henry attempts to take on a serious topic in his next work—the Holocaust. Like Henry, you are not Jewish, so what compelled you to write about the topic...

Author: By Anna M. Yeung, CRIMSON STAFF WRITER | Title: 15 Questions with Yann Martel | 4/23/2010 | See Source »

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