Word: writings
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Dates: during 1960-1969
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...U.C.L.A.'s Grunwald Arts Foundation of some 650 prints from the estate of Frank Lloyd Wright. With this as a nucleus, U.C.L.A. commissioned Orientalist Harold P. Stern, assistant director of Washington's Freer Gallery of Art, to assemble a comprehensive survey of Japanese master prints and to write an accompanying book...
...FOLLOWING proposes that we all refuse to write our final exams this Spring...
...when it finally does, the question that has been forming in your mind--why Shea decided to write about Lermontov and not Pushkin--begins to dissipate. Of course Lermontov is a tinhorn, a two-bit mock-up of Pushkin, a caricature of a radical artist who is grotesque rather than tragic (though, by some trick, he becomes almost tragic in the end). That is precisely the point; Pushkin was above revolution, though he was a friend of revolutionaries. He saw through it. Lermontov was beneath revolution; he was merely bored, dissatisfied with things the way they were for some vague...
...there is one general conclusion that we hope will be drawn," write McClelland and Winter, "it is that man is not as predetermined in what he can do as social scientists and historians sometimes think. He has greater freedom to act, to change the structure of his response, and find opportunities in his environment than the traditional forms of social analysis would lead him to believe. Somehow, by thoroughly understanding how we are determined, we gain the confidence to act so as to transcend determinism...
Free to Knock. Stone's 23-year-old editor, Jann (pronounced Yahn) Wenner, insists that he did not start the biweekly journal to grab a market, but simply to write about the things that interested him most. "We're not tied to anybody but ourselves - we're not promoting some body else's trip," he says. What interests Stone's writers is the whole rock world...