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Carle has written 70 children’s books since then, but said he does not plan to write any more...

Author: By Zoe A.Y. Weinberg, CRIMSON STAFF WRITER | Title: Author Encourages Childhood Whims | 4/23/2010 | See Source »

Just as he uses easily-recognizable forms, Paterson also takes on a familiar, didactic voice. The poem “Correctives” depicts the narrator’s son who uses his right hand to support his left in an effort to write more neatly. As he describes this boy, Paterson derives a broader conclusion about humanity from the image: “the whole man must be his own brother / for no man is himself alone.” It would be easy to imagine this brief poem as a sort of family maxim delivered from generation...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

...novel’s flashback plotline explains how Seltzer came to write such a book, recounting his trajectory from life as a long-suffering graduate student in the humanities to becoming personally concerned with matters of faith. Under the tutelage of Jonas Elijah Klapper—a Harold Bloom caricature—Cass visited New Walden, a cloistered Hasidic enclave where men and women walk on different sides of the street and modernity has yet to intrude. There Cass meets Azarya, a child prodigy who at the age of six has derived complex mathematical proofs without any formal education...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Goldstein Opens Up Religious Discussion in ‘36 Arguments’ | 4/20/2010 | See Source »

...reflections represent the culmination of a major shift for Wainwright. The troubadour has been slowly moving away from the disaffected, dissolute charm of his early efforts, most notably on 2001 breakout album “Poses,” and towards an artistic seriousness that has motivated him to write an opera and compose a score for the Philadelphia Ballet during the last five years. In Wainwright’s recording career, this development has uprooted his lyrical subject matter from the glitzy side streets of Chelsea and launched him into the vague and airy realm of love, loss...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Rufus Wainwright | 4/20/2010 | See Source »

...want to write serious books, you must be ready to break the forms,” he tells us. As an artist, one must understand that what matters is not some artificial plot but rather the truth—or, in other words, the “reality”—one conveys. Shields writes, “[It’s] not the story. It’s just this breathtaking world—that’s the point.” If these are the foundations of Shields’ manifesto, has all of this...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Shield's Modernist Manifesto Arrives a Few Decades Too Late | 4/20/2010 | See Source »

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