Word: written
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Dates: during 1950-1959
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...addition to the increased accessibility of written materials, the recent "opening up" of Soviet Russia has enabled Western scholars to visit the country, to establish contacts at Russian universities and to confirm or correct their previous impressions. The first step in this process, came in 1956 with the 30-day tourist visa. Fainsod made his first visit to the U.S.S.R. in that year and has returned several times since. Almost every person connected with the Center has been to Russia at least once in the last three years...
...monolithic student opinion that does not really exist. But there is on many vital issues a majority consensus among American students that can be valuably asserted. As a safeguard against false unanimity, though, NSA has provided that should a college disagree with majority resolutions, it can register a written vote of dissent; Harvard can go on record as disagreeing with any actions of NSA it finds noxious...
...Although some left-hand pieces are written as mere musical oddities, most are commissioned or written by handicapped pianists, e.g., Hungary's famed Geza Zichy (1849-1924), who lost his arm in a hunting accident, but developed into such a virtuoso that he played three-hand recitals with Liszt; Vienna-born Paul Wittgenstein, who lost an arm in World War I, and commissioned Ravel's Concerto for the Left Hand, two works by Richard Strauss, Britten's Diversions on a Theme...
...went the Page One slogan that the Mirror had used for 14 years: "Forward with the People." Out too went the Mirror's concession to middle-aged readers: a serious political column by Labor M.P. Richard Grossman, who, with help from the Mirror's Cudlipp, had also written the scathing but ineffective campaign broadside called "The Tory Swindle." And finally, out went a British newspaper institution: a comic-strip character named Jane, who won fame by appearing in the near altogether at any and every opportunity. Jane, by calendar count, should now be about 53 years...
Peter Gesell's performance as Jim the Gentleman Caller presents something of a problem to the critic. Mr. Williams describes Jim as "a nice, ordinary young man," but he has written the part as a symbol of the expansive American spirit that has destroyed the world of gentility and graces in which Amanda Wingfield tries so desperately to live. If Jim occasionally comes across as crudely caricatured, like an American (like the American) in a British book or movie or play, it is largely because Mr. Williams has written him that way, and because Mr. Hancock has made him sprawl...