Word: written
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Dates: during 1960-1969
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...This article was written by Seder form research collected in a two-year project by David Labaree '69 and James Loewen, a 1968 PH.D graduate in Sociology. Copies of the entire original work--of which this is a condensation--are available. Two separate surveys were used for this study: one was random sample of Harvard's 1966-67 undergraduates; the other is the result of ten years of work by the Harvard Student Study Center -- a federally funded office doing computer-analyzed surveys -- which sampled the class of '64 and '65 throughout their years at Harvard...
INSIDE the cover of the copy of one of Kurt Vonnegut's books, Mother Night, that belongs to the third largest library in the country is pasted a very-old-looking bookplate. The plate bears an oval portrait of a woman beneath which is written "IN MEMORY OF PERMELIA E. CHENEY HERSEY/ 1848 VE RI TAS 1926/ THE GIFT OF HER SON/ FRANK WILSON CHENEY HERSEY/ CLASS OF 1899/ FOR RECENT BOOKS IN BRITISH AND AMERICAN LITERATURE...
KURT VONNEGUT has written five novels (Player Piano, Cat's Cradle, God Bless you, Mr. Rosewater, or Pearls Before Swine, Mother Night, and The Sirens of Titan); periodic short stories that keep popping up in magazines like Playboy and science fiction anthologies like Tomorrow, the Stars; a book of collected short stories called Welcome to the Monkey-house; and a new novel out this spring called The Slaughterhouse Five, the first two chapters of which were recently printed in Ramparts...
Another thing we found out was that whereas it took him years to write Cat's Cradle, a crazy book with mini chapters that leaps forward and around so fast one would think it was written in weeks, he put together the whole of The Sirens of Titan, a much more intricate book, in one night. Vonnegut says he was at a party where someone told him he ought to write another novel. So they went into the next room where he just verbally pieced together this book from the things that were around in his mind. It's really...
...purpose of destroying the novel's pretensions to literary or social merit, ten black writers have written criticisms in William Styron's Nat Turner, Ten Black Writers Respond (Beacon Press, $1.95). All of the criticisms are worth reading closely, the most incisive being those by Lerone Bennett, Vincent Harding and Mike Thelwell. The writers are thorough going and competent; among them they do a far more definitive delineation of the book's absurdities and fabrications than I have done here. I recommend them to your attention...