Word: written
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Dates: during 1960-1969
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...waited anxiously for some promise of peace in Viet Nam, Associate Editor Ronald Kriss, who wrote this week's cover story, felt that he was entitled to some extra measure of impatience. The special publishing deadlines of a pre-election issue meant that all stories had to be written and edited at an accelerated pace; the probability of a bombing halt only compounded the need for speed. But Kriss, along with Senior Editor Michael Demarest and Researcher Mary Kelley, were as prepared as possible for the unpredictable. For months, they have been studying every nuance of the negotiations...
Three weeks ago CRIMSON Editor Larry A. Estridge, sent Vice President Hubert H. Humphrey a set of written questions. His answers, received late last week, appear below in the form of an interview...
...Ludke aside to question him. The admiral at first lamely explained that someone must have stolen the Minox to take the pictures. However, he later changed his story to claim that he wanted the documents for his memoirs. If so, they would surely have ranked among the dullest ever written, since the documents were merely directives for handling supplies. Nevertheless, he was allowed to go home arid was interrogated only the next day. Because West German counterspies apparently take weekends off, two more days elapsed before the federal attorney's office in Karlsruhe, which investigates and prosecutes treason...
...year-old woman pass for the 27-year-old she was to play? No problem either. A session with the makeup man and a youthful hairdo, plus her own well-preserved looks, turned the trick for the four segments Joan will appear in. After that, the character will be written out of the show until Christina gets back to the set. Said Christina, eldest of Joan's four adopted children: "I couldn't exactly jump up and down in bed about it, but it was fantastic she would care that much...
...cliche, most always a lie, to say that a director has somehow emancipated a play by taking liberties. So I won't say that, not exactly. What Timothy Mayer has done for The Bacchae is put it out of harmony with the stage conventions according to which it was written. He has emancipated it only from a narrow theatrical orthodoxy which insists on treating all plays of a given place and period alike, whose loyalty is to a set of rules empirically drawn from history rather than to the will of an author as unfolded in his work. Above...