Word: written
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Dates: during 1960-1969
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...written word is and always will be TIME'S primary concern. Yet many stories can only be told in pictures-and told best in color. Ever since 1951, TIME'S Art section has regularly featured a color story ranging anywhere from Claes Oldenburg's Pop objects to four pages on the churches of Soviet Russia and a ten-page spread on the Black in art down through history. At the same time, the magazine's Color Projects department has also been bringing an added dimension to news of every sort for TIME'S readers...
...would these professors respond to the radical view? Their response to the CRIMSON editorial, an editorial written in the radical vein is interesting here. They respond not by argument but by invidious rank-pulling. Much as they mock the editorial, they produce not a single argument against it. Rather the implication is that such an ignorant editorial ("simplistic," "shoddy") merits not argument, but counter-assertion and contempt from informed scholars, amongst whom the professors clearly place themselves. This is arrogant nonsense. There are plenty of scholars, at least as well-informed as our self-esteeming professors (albeit of a different...
...same project also spawned the publication of a critical, hardly imperialist, book written by an African, the late George S. Mwase's Strike a Blow and Die: A Narrative of Race Relations in Colonial Africa (1967). The Center has indulged, supported, even cossetted this kind of scholarly inquiry: indeed, if Hyland wants to blow his mind, he is welcome to read the galley proofs of a 1500-page book, soon to be on the radicalized newsstands, called Power and Protest in Black Africa. It follows the course of anti-colonial and anti-neo-colonial agitation in Africa from...
...have borne are gnawed at and peeled away until they are reduced to the level of pure animalism which is their reality. Clouzot had explored this Bunclesque notion of human degradation in Le Corbeau, a film be made during the war, in which a series of anonymous letters written to the residents of a small provincial town lead them to suspect and maliciously attack one another. The Nazis used the film to demoralize the French and many French critics later attacked the film for its anti-French sentiments. But these criticisms missed the point. Clouzot is not anti-French...
...group's field manager, who drives to the area to be canvassed, told us one night that she had just "written an order" -the euphemism for "sold" -for a family which she was convinced did not want and could not afford the books. But they were psychologically trapped by the commitments and did not back...