Word: wronged
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Dates: during 1950-1959
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...could not have done it better. The bowlegged old man brooded in the grand manner, one foot up on the top step of the dugout, an elbow on a knee, a hand held up to shade the faded blue eyes peering from a wrinkled mask of despair. "Something is wrong with this team." muttered Yankee Manager Casey Stengel, "and I gotta find out what it is.' As last week began, marking the season's halfway point, Casey's noble Yankees, perennial champions, were ignobly mired in fifth place, and baseball legend has it (none too accurately*) that...
...What was wrong with Stengel's Yankees was all right with seven other American League managers. For years the National League has had all the excitement-and 1959 is no exception, with a five-team pack nipping regularly at the Milwaukee Braves. But in the American League, a long Yankee lead and a solemn march to the pennant have been the usual condition at half time. Now the Yankees have touched off a scramble: as few as three games have separated the top five teams...
...brief, bold." It consists mainly of eight rules of usage, ten principles of composition, a few matters of form. Each Strunk command (Do not break sentences in two. Use the active voice. Omit needless words) is followed by a short, barking essay and examples in parallel columns-right v. wrong, timid v. bold, ragged v. trim. Strunk had pet usages; he insisted on forming the possessive singular of nouns by adding 's regardless of the final consonant (Rule 1 ). It would have enraged him to read a modern newspaper headline about Bonnie Prince Charlie: CHARLES' TONSILS...
...Otto Preminger has directed most of it as though it were a Bayreuth production of Gōtterdāmmerung, Choruses march and countermarch; actors lumber woodenly about the stage, obviously counting their steps, and then suddenly take up a stance and break into song. And for some strange, wrong reason -perhaps to give the show an elevated, operatic tone-the actors speak in precise, cultivated accents that are miles away from the Negro slums of South Carolina. For that matter, Sidney Poitier's Porgy is not the dirty, ragtag beggar of the Heyward script, but a well-scrubbed...
...more. Said Ekblom: "I want to focus some attention on the country's forgotten man-the corporation executive paid around $20,000 a year. After taxes and educating his children and perhaps one major illness, he reaches the age of 55 without saving a penny. There is something wrong with the system when a man does everything he should do and still ends up in that spot." Ekblom has not ended up in that spot because Hupp is only one of his interests. The son of an immigrant cabinetmaker, Ekblom went to work after grammar school, earned enough money...