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Word: wronged (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...addressed itself to the difficult task of supplying an answer. Their reply, presented in prime evening time (8 o'clock, E.S.T.), was television journalism at its best-the sights and sounds and sad, bitter memories of a divided city, caught by an accident of history far on the wrong side of the Communist border...

Author: /time Magazine | Title: TELEVISION: Prime Show, Prime Time | 5/18/1959 | See Source »

...cafes thick with prosperous citizens enjoying their coffee with whipped cream. But in the end it was a refugee, a single, haunted man, looking nervously over his shoulder as he scuttled down a long subway corridor toward freedom, who pointed up Huntley's point: "It seems to me wrong to trade [Berlin] off, whatever is at stake, while escape is possible for even...

Author: /time Magazine | Title: TELEVISION: Prime Show, Prime Time | 5/18/1959 | See Source »

...Governor is revealed as a man under great stress-and as a man who is determinedly thinking his way through." Thus made to appear as a statesman instead of a pol, Pennsylvania's Lawrence sought out Photographer Vathis. "Accept my humblest apologies, Paul." he said. "I was wrong. It was a good picture, after...

Author: /time Magazine | Title: The Press: New Frame | 5/18/1959 | See Source »

...varsity, it has been a season of dashed hopes. Each time the Crimson has seemed capable of sustaining the high level of lacrosse indicated by early season performances, something has invariably gone wrong. Rarely have the attack, midfield, and defense all played well at the same time...

Author: By Paul S. Cowan, | Title: Lacrosse Team to Play Eli Squad, Try for First Ivy League Victory | 5/15/1959 | See Source »

...easy to spot what is wrong with Puntila, but the satisfactions of the evening, except for certain beautiful erotic-comic passages, are harder to pin-point. The play is based on a group of Finnish stories, and it manages to achieve a vaguely Finnish atmosphere: bracing and sparse. The series of unpretentious, easily-changeable settings (designed by Robert Skinner and Lorna Kreuger) have a good deal to do with this; the backdrops for successive scenes are frankly mounted on a large picture frame, and the effect is never more Brechtian than when substantial sections look as if they were made...

Author: By Julius Novick, | Title: Puntila | 5/14/1959 | See Source »

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