Word: wrongful
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Dates: during 1960-1969
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Substandard dialogue and music can sometimes be forgiven, though not enjoyed . But The Golden Screw is unforgiveably inane because Sankey looked at the world, saw that it was not perfect, and plugged in the easiest wrong answers. Protest songs and rock music are hardly decadent--they represent a social and artistic commitment to our world. They, not "John Henry" are the songs of us folk, as hip Country and Western groups. Sure, folk music is often great and gutsy. But the simplistic Romantic anti-sellout sentiment it symbolizes in this play really equals the willful alienation of Sankey's hero...
...stage three times, Shakespeare resorting to familiar mechanics prior to an important killing as he does in Macbeth and several of the history plays. But the killing never comes, they fight their way offstage, we never see them again, our expectations are brutally cheated. Instead, Hector (decidedly the wrong man at this point) gets killed with his pants down by Achilles, and the play ends with nothing resolved and the play ends with nothing resolved and the taste in your mouth resembling, in Harvard playwright Barry Forman's terms, the bottom of a birdcage...
...show an avaricious and innately destructive world of monstrous and banal people. It is, for the most part, only background, and the films are more specifically about complex relationships and interaction of characters. But where Lang's or Hawks's characters will confront their directors' vision of society-gone-wrong head on, Chabrol's retreat a little from it to defensive personal eccentricities. Both Chris (Anthony Perkins) and Paul (Maurice Ronet) are warped in Chabrolian high-style: bored and restless, willful and given to practical jokes. Chris thinks nothing of using his body to promote money from his wife...
...sandals for a home." And "Many Young Men From Now" has the added virtue of relevance, not only to the show but to the original play and to Cleopatra as Shaw conceived her. Drake would do well, however, to drop such hack-work as (from a song called "The Wrong Man"): "The world will call it wrong, but I must disagree: The wrong man's the right man for me." True, Her First Roman is in many ways a rather traditional musical, but it lifts free of cliche often enough for one to wish the break could be complete...
...Bride Wore Black would appear a step in the wrong direction, Truffaut having subtitled it unofficially his "hommage a Hitchcock," the film directly after publications of the huge Le Cinema Selon Hitchcock now on everybody's coffee table. But the film pleasantly reveals Truffaut as having learnt more and imitating less. Only the music (by Bernard Herrman, composer of Vertigo and five other Hitchcocks), and a few shots (for example, the early close-up of the suitcase, from Marnie) recall specific Hitchcock films, and Truffaut provides instead a carefully crafted film molded around stylistic devices Truffaut reveres as a result...