Word: wrongful
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Faye swiftly identifies McQueen as Mr. Wrong, bird-dogs him around town, and eventually gains entree to his mansion. There ensues a ludicrously erotic chess game, out of Mae West by Tom Jones, which Faye wins. After the check comes the mating, visualized in some lurid camerawork that focuses so long on the stars' lips that they come to resemble two kissing gouramis in a tank...
...thought to revolt," writes François Nourissier in The French, which obviously went to press too soon. "Our young people are not brutal or rebellious or vicious or despairing or drugged or headed for extremist adventures. Indifferent? Yes. Nihilistic? No." Events since May seem to have proved Nourissier wrong, but curiously enough, they have in no way invalidated this splendidly instructive book. With affection and impeccable style, Novelist Nourissier (Une Histoire Française) shows his countrymen to be a gifted, cantankerous and immensely vital people, whose only predictable quality is their very unpredictability...
...nation's otherwise most serenely sunny cities, Phoenix. The Rev. Gavin Griffith, 31, ran his poverty war college with the strategic aim of simply stirring the conscience of his students. Some of the outsiders shed their uniforms (ties and suits), strolled the streets on the wrong side of the Southern Pacific railroad tracks, where rickety houses lean against each other, and whiffed the foul breath of penury. Nine businessmen rode with cops as they checked vagrants in "the Deuce," a neighborhood of filthy flophouses. Some men mingled with drunks along the downtown Tenderloin skid row. Several housewives spent...
...Wheaton girls lament, "We seem to have met the wrong males. They have been too shy or silly...
...have, however, seen two mountings of the work since then, and it was a trial to sit through each of them. They led me to conclude that the obstacles to performance posed by this uneven hothouse script were simply insuperable. Now Michael Kahn has proven me wrong. How has he done it? First, by casting aside caution and bardolatry. He has cut the text (and I do miss Costard's use of "honorificabilitudinitatibus," a genuine medieval Latin term, employed by Dante, that for centuries was cited as the longest known word); he has substituted a few words...