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Word: wrongfulness (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...dismisses Eisenhower's refusal to grant clemency to the Rosenbergs in a single paragraph that begins, "The Rosenbergs got a fair trial; they were rightfully condemned; the president rejected their appeal for clemency and they must die." The didactic thought reads nicely--and might be 100 per cent wrong...

Author: By Jeffrey R. Toobin, | Title: Eight White Houses | 11/30/1979 | See Source »

While Carter's handling of the Iranian crisis has generally been admirable, his order requiring Iranian students to redocument their status aims at the wrong people: he has singled out innocent individuals for legal harrassment, an unethical and undoubtedly ineffective way to get at the terrorists...

Author: NO WRITER ATTRIBUTED | Title: No Need for Redocumenting | 11/29/1979 | See Source »

...world (despite our misgivings about its imperialist implications); and we more keenly sense the brute horror but ultimate triumph of justice and order in the two world wars. Veterans Day conjures up all of these recollections about America's military heritage. Yet something is lacking and terribly wrong today...

Author: By Michael Korn, | Title: Vietnam on my Mind | 11/29/1979 | See Source »

...rebels in the jungles in Indochina. These are the veterans whose existence so harshly intrudes on our vague historical reflections about Veterans Day. Their presence somehow goes against the grain of America's feelings about her other wars. Their reality explodes the myth we once held of Right vs. Wrong, Good vs. Bad, Us vs. Them. All peoples cherish this myth, the notion that in the scales of universal justice and morality their struggle, their existence, their purpose is justified and vindicated. All peoples need to have this feeling, otherwise the plodding course of daily life is petty and meaningless...

Author: By Michael Korn, | Title: Vietnam on my Mind | 11/29/1979 | See Source »

...middle-aged, thin-lipped, white-faced sadist, a man more easily pictured flogging cats than seducing women. Raimondi fits in well with Losey's class-conscious interpretation of Da Ponte's text--he sees Don Giovanni as the consummate self-indulgent aristocrat. There's nothing wrong with coloring the opera this way, but Raimondi and Losey paint over and obliterate the other half of Don Giovanni's character, the youthful embodiment of unbounded energy who mesmerized the romantics. They do Mozart and Da Ponte an injustice by simplifying the libretto's psychological tangle to a black-and-white social dialetic...

Author: By Scott A. Rosenberg, | Title: Donning the Screen | 11/28/1979 | See Source »

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