Word: wrote
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Dates: during 2010-2019
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Last summer, Hands proposed a deal in which he would inject $1.56 billion into EMI if Citigroup wrote off about the same amount in debt. Citigroup said no and offered instead to write off $1.56 billion in debt in return for controlling ownership of the company. Hands refused and then sued Citigroup, claiming the bank had persuaded him to pay too much for EMI in the first place. Now the two sides aren't speaking. Hands says Citigroup is playing "hardball for no good reason," while the bank feels that Hands is being unrealistic in his demand to remain...
Down in Philadelphia, Penn recently announced that the papers of Chaim Potok, the great Jewish-American novelist who wrote such favorites as The Chosen and My Name is Asher Lev, are now all ready. Potok, a Penn alum, left his papers to the University after his death in 2002, according to The New York Times...
...simper. “And in this work of Leonardo’s there was a smile so pleasing, that it was a thing more divine than human to behold; and it was held to be something marvelous, since the reality was not more alive,” he wrote. The sublime expression of “La Joconde” has held sway over its viewers since its creation, a testament to its creator’s artistry, a manifestation of the fantastic in the earthly realm...
Cavanagh’s own research, which takes the same approach, has led him to a number of discoveries about an “alternative physics” operating in representational artworks. Impossible shadows, reflections, and contours number among the artistic flaws surveyed in an article Cavanagh wrote for the science journal “Nature” entitled “Artists as Neuroscientists.” “Artists use this alternative physics because these particular deviations from true physics do not matter to the viewer,” he writes. “The artists...
...political repression. The novella would mark the bloody delivery of visceral realism into the American consciousness, which soon became infatuated with the macabre elements that rage so relentlessly through Bolanõ’s work and that of his contemporary and cohort, Salvadoran Horacio Castellanos Moya. This fascination, wrote Moya in a critical piece he penned for Argentine newspaper “La Nacion,” has evolved dangerously throughout the years: the portrayal of Bolanõ as a non-conformist, subversive heroin addict serves only to still a masturbatory urge to redefine Latin American literature and culture...