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...from corrupting grammar to corrupting minors. But the decline and fall of the republic has seldom been laid at his study door. Nobody has flattered a man of letters by calling him a major danger to the state since the time during World War II when Archibald MacLeish, Van Wyck Brooks and others accused T.S. Eliot & Co. of demoralizing the fighters for democracy by having scribbled so depressingly about the "Waste Land" 20 years before...

Author: /time Magazine | Title: Books: The I of the Beholder | 3/22/1971 | See Source »

...CRITICIZES the indivious pushme-pullyou competitiveness of our economic system-and, as a result, the stifling individualism and aloofness each of us has felt. We are a nation of individuals, as Van Wyck Brooks observed, "cast inward upon our own insufficient selves." The uptightness is exacerbated by the disappearance of mitigating institutions, where we could take refuge from our terror- stricken aloneness. The extended family, the stable local neighborhood, where solace from this separateness and impersonality might have been found, are passing from the American scene...

Author: By Bruce E. Johnson, | Title: AmericaThe Pursuit of Loneliness | 10/5/1970 | See Source »

...Harpoon in Eden, Van Wyck Mason...

Author: /time Magazine | Title: Television: Sep. 26, 1969 | 9/26/1969 | See Source »

...study of Twain published in 1920 and revised in 1933, Van Wyck Brooks argued that Twain fell short of greatness because he masked his reformer's spirit by writing humorous books-in short, by making a joke of a crusade. Twelve years later, Harvard Critic Bernard De Voto challenged that theory by showing that Twain's very humor was a crusader's weapon. With it, said De Voto, Twain exposed the hypocrisy of a century in which aggrandizement all too often passed under the name of progress. The distinctive virtue of Justin Kaplan's book...

Author: /time Magazine | Title: Books: The Man on the Raft | 6/24/1966 | See Source »

...photographic essay, on Calder, by the editor Peter Van Wyck Brooks, exemplifies this tendency. His photographs are artful and interesting but Calder's sculpture is only the unifying backdrop for Brooks' photographic compositions. The charmingly personal article on the Herbert Lee Collection also misses the boat. It will certainly interest all of Mr. Lee's friends, but because the emphasis is on the Lee rather than the paintings, the article will fail to elicit widespread interest...

Author: By Jonathan D. Finebero, | Title: The Harvard Art Review | 5/6/1966 | See Source »

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