Word: wyeth
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Dates: during 1950-1959
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...Newell Convers) Wyeth was one of the U.S.'s best illustrators of children's books. His son Andrew, 33, is one of the nation's best landscape painters and portraitists. On exhibition in a Manhattan gallery last week, young Andrew's paintings were as gloomy and realistic as his father's had been gay and romantic. They were also vastly skillful, as far as they went...
...artist takes more pains over details than does Andrew Wyeth. If a picture is rich enough in detail, he figures, it can be dramatically simple in its overall effect. He once devoted three quarters of a painting to a grassy hillside, spent a month and a half brushing in each grass blade separately "to make it come toward you, that surge of earth." Perfectionist though he is, Wyeth does not aim to please. The warmth, charm and dazzle of color are foreign to him; so are rhythmic arabesques of line. Using egg tempera and tiny brushes, he paints mostly with...
Within the strict limits he sets himself, Wyeth's carefully wrought tempera paintings almost invariably succeed in being both clear and convincing. Strangely enough, his watercolors, which he dashes off in a hurry, do too. In them his love of nature (preferably bleak) has much freer rein, and in them he proves himself a delicate and sensitive draftsman, not merely a careful...
...temperas, mostly records of the Pennsylvania countryside and Maine seacoast he knows best, are Wyeth's chief work. The worst of them look unnecessarily labored, but the best make him a candidate for the mantle of the great Pennsylvania realist Thomas Eakins. That dour master specialized in dramatizing the obvious, as Wyeth does in his crystalline Spindrift. The earthier Eakins would never have attempted Soaring...
...show at all. Others were represented badly. Edward Hopper, who finds it almost impossible to paint a dull picture, contributed an old one instead. His Night Conference, like Hirsch's Nine Men, was a standout at last year's Carnegie exhibition and also at the Met. Andrew Wyeth, generally the realest of the young realists, sent a vapid study of a curiously costumed boy on a bicycle adorned with a red, white & blue racoon tail. He called it Young America. Philip Evergood, who is as much concerned with social propaganda as he is with exercising his prodigious talent...