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...since their turn-of-the-century brethren failed to gauge the force and direction of modern art, the critics, not to be caught again, have been resolutely seeking out new and strange varieties of painting to explain to the public. The modern-art bandwagon may never stop rolling, but Wyeth rolls blithely in another direction. And his back road may lead to a new turnpike...

Author: /time Magazine | Title: Art: American Realist | 7/16/1951 | See Source »

This week Wyeth reached a resting place on his road. A ten-year retrospective show of his work opened in the Currier Gallery at Manchester, N.H., will soon move on to the Farnsworth Art Museum in Rockland, Maine. A single painting by Wyeth can look labored and precious; an exhibition the size of Manchester's shows the man's steadiness and growth. It is bound to increase his already formidable reputation. At 34, Wyeth ranks among the realest of living realists...

Author: /time Magazine | Title: Art: American Realist | 7/16/1951 | See Source »

Rich Childhood. At the outset, things looked dark for him. A sickly, spindly boy, Andy Wyeth was taken out of first grade after three months, never went back. He learned, a little reluctantly, at home, still has trouble spelling simple words. During the long days when Andy's brother and three sisters were away at school, he mused, wandered and played with tin soldiers. Storms of illness and the chill rain of solitude slowly nurtured his imagination...

Author: /time Magazine | Title: Art: American Realist | 7/16/1951 | See Source »

Another nurturing force was his father, N. C. (for Newell Convers) Wyeth, whose illustrations for such books as Treasure Island and The Last of the Mohicans lit the eyes of generations of children. "My father," Andy says fervently, "was big in his feeling and the way he lived. At Christmas he used to play Santa Claus with electric lights all over him and practically come down the chimney. His studio was like his painting, loaded with stuff-pistols, swords, chests...

Author: /time Magazine | Title: Art: American Realist | 7/16/1951 | See Source »

Andy spent his twelfth year with cardboard, scissors and paint, making a miniature theater and players for a performance of Arthur Conan Doyle's 15th-Century romance The White Company. The show, staged singlehanded for the family, opened Pa Wyeth's eyes. "Tomorrow morning," he told Andy, "you're going to start studying. Come into the studio...

Author: /time Magazine | Title: Art: American Realist | 7/16/1951 | See Source »

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