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...before the House Un-American Activities Committee. The studio, a small outfit, was of no mind to risk its principal ($3,200,000) for principle. Be that as it may, Wilson's too-earnest but sometimes charming script is the best thing about the picture; for Director William Wyler, who often seems a pretty citified feller in all these country doings, it will probably make the difference between a hit and a miss...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 5, 1956 | 11/5/1956 | See Source »

...throated Siobhan (St. Joan) Mc-Kenna, in a blonde wig, played Leslie, the high-voltage heroine, through a sticky Malayan melee of passions. Stalking Maugham's female primeval like a white hunter was Wyler's inquisitive camera, peering through all the flora and fauna into the hurt eyes of the cuckolded husband (John Mills, making his American TV debut), or capturing the guilt written across the sallow face of the barrister (Michael Rennie) who helps Leslie beat the rap. With pace and polish, Wyler distilled all the steamy Maugham atmosphere and dry rot of colonial life, brought believability...

Author: /time Magazine | Title: Radio: A Familiar Subject | 10/29/1956 | See Source »

...Letter originally starred Katharine Cornell on Broadway; Jeanne Eagels did it in the first movie (1929), and Bette Davis, with Wyler directing, in the second (1940). Wyler picked The Letter for his TV debut (on NBC's Producer's Showcase) because "in an unfamiliar medium I wanted a familiar subject." On a three-week schedule, he staged the entire production the first week, spent the other two on technique. "TV is so complex technically, it leaves little or no time for acting and directing." But by drawing on his broad movie experience, Wyler could see the whole...

Author: /time Magazine | Title: Radio: A Familiar Subject | 10/29/1956 | See Source »

...lines ("You'd be attractive anywhere, but in this Godforsaken jungle, you're irresistible!"), The Letter was unusual adult entertainment. By letting the heroine get by with both murder and adultery, it did what the movies, according to the code, cannot do. NBC censors did pressure Wyler to "change a few 'hells' and 'My Gods'." The line, "A woman he had relations with," became "A woman with whom he had a relation." But Wyler refused to tamper with key bits, viz., "He tried to rape me so I shot him." Snorted he: "What...

Author: /time Magazine | Title: Radio: A Familiar Subject | 10/29/1956 | See Source »

...Wyler's first TV venture, The Letter also may well be his last. Though an "exciting one-shot experiment," he found himself "out of control" in the medium. "I don't want to be in the lap of the gods; I want the gods to be in my lap." Wyler also observes of TV: "One night, and it's gone. On the other hand, a movie is always there. It goes all over the world, and people see it when they feel like...

Author: /time Magazine | Title: Radio: A Familiar Subject | 10/29/1956 | See Source »

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