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...heavy with torpor and reluctance. After more than a year of preliminary parleys that tried to lay a groundwork on which the conference could proceed, all the delegates had really agreed on was that they still have monumental disagreements to over come. GATT Executive Secretary Eric Wyndham White, whose job was to open the conference with a ringing keynote, had to admit the seriousness of the fail ure to set so much as the terms for negotiating. "This is disappointing," he said, "and it would be foolish to pretend otherwise...

Author: /time Magazine | Title: World Trade: A Disappointing Start | 5/15/1964 | See Source »

...fact that he does not try to work the old conversational trick on those well-enough known to have a recognizable style of their own. Ezra Pound, for instance, who appears in the book as a tennis and boxing partner, gets to say very little. Neither James Joyce nor Wyndham Lewis gets to say anything...

Author: /time Magazine | Title: Books: When Papa Was Tatie | 5/8/1964 | See Source »

...LETTERS OF WYNDHAM LEWIS edited by W. K. Rose. 580 pages. New Directions...

Author: /time Magazine | Title: Books: Rebel Against the Senses | 4/3/1964 | See Source »

Some called him a revolutionary, others called him a reactionary, and T. S. Eliot called him the "most fascinating personality of our time." The time was the 1920s and '30s, and the man was Wyndham Lewis. Since then, Lewis has died, and the many battles he fought and which seemed so important at the time have passed into memory. Now Lewis' collected letters recall those battles-the clang and clatter of cubism, futurism, imagism, vorticism; the boisterous challenge to the literary establishment of "the Men of 1914": Eliot, James Joyce, Ezra Pound and, not least by a long...

Author: /time Magazine | Title: Books: Rebel Against the Senses | 4/3/1964 | See Source »

S.R.O. is an unfamiliar condition in London's West End, where theatergoing is a relaxed and casual matter, seats are cozy, there's tea at the interval, and no fuss or pushing. Last week at Wyndham's Theater, however, conditions were rougher. The Wyndham contained a crowd rather than an audience. Standees were pressed against all walls. They had come to see Oh What a Lovely War, a play described by the Times as "a savage humanitarian document, with all its teeth gleamingly intact...

Author: /time Magazine | Title: Theater Abroad: Opening the Old Kit Bag | 7/5/1963 | See Source »

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