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...Whooey. Every one knows his job. Every cook makes a contribution to the broth. Playwright Abbott provides a sound book (least brilliant part of the show) ; Director Abbott, whirlwind direction that keeps it moving, moving, moving; Comic Jimmy Savo contributes wild-eyed dimwit mischief; Fat Girl Wynn Murray, dishpan antics and Amazonian sex threats; Lorenz Hart, brash, bawdy, witty lyrics (best line: She was so chaste that it made her very nervous); Rodgers, a gay, bright lilting score, never better than it is in This Can't Be Love, Sing for Your Supper...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 5, 1938 | 12/5/1938 | See Source »

Sheriff C. G. Bell identified the dead as Willie Wynn, Harlan County election official, Sherman Howard and Odell Sizemore...

Author: NO WRITER ATTRIBUTED | Title: Four Dead in Kentucky | 11/9/1938 | See Source »

...Albert, the twin brother, is adequate and best when singing; Teddy Hart and Jimmy Save pall occasionally, but theirs is the hardest assignment, and that they are less of an anathema than they are is a minor triumph. Top honors in the cast must go to the female sex; Wynn Murray, as Luce, is grand both in her songs and in her interpretation of comedy; Mary Wescott, as Luciana, is likeable though her voice is a bit thin compared to the others; supreme in looks and in singing is Muriel Angelus, as Adriana. Too much cannot be said...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 11/8/1938 | See Source »

...Manhattan, 23-year-old Frieda Mierse, onetime Follies showgirl, onetime "Miss New York" (1927) discussed the problems of her married life with 51-year-old Comedian Ed Wynn. Highlights: She is recuperating from one of "all sorts of breakdowns" she says she has suffered since she married Wynn 14 months ago; she is forced to hire a $20-a-night gigolo to take her out because "everybody's afraid to dance with me on account of my husband." Explained Miss Mierse: "Ed's elderly and I'm young. It's making a wreck...

Author: /time Magazine | Title: People, Aug. 22, 1938 | 8/22/1938 | See Source »

...social material, but no major social theme.) But social significance ran away with the musical field, providing a tense, pounding strike drama in The Cradle Will Rock, a fresh, spirited revue in Pins and Needles. Best of the straight musicals: Hooray for What!, thanks to the clowning of Ed Wynn, the music of Harold Arlen...

Author: /time Magazine | Title: The Theatre: Exit Smiling | 5/30/1938 | See Source »

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