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...sparsely furnished living room of his Manhattan brownstone, with three Louis Armstrong statuettes peering down from the mantelpiece, he confidently mingles allusions to Picasso and the Iliad with appreciations of Duke Ellington and childhood anecdotes. The hardwood floor is littered with the toys of his two sons, Wynton Jr., 2, and Simeon, six months; their mother Candace Stanley, 28, is doing postgraduate work at New York University. (Marsalis has put the four-story house on the market for $950,000 and is planning to move his family to New Orleans...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

...star category, but many are doing quite well. Marsalis, whose band commands fees ranging from $2,000 to $40,000 a night, is already worth several million dollars. "There is a general misconception that you can't make money playing jazz," says his manager, Ed Arrendell. "But Wynton and other top players can do tremendously well. A popular jazz artist can expect to gross well over a million a year." Of course, they must also pay substantial band-related expenses; Marsalis claims such charges drive his net income far under $500,000. The take of the sidemen is much lower...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

...then jazz has always been a high-risk profession: King Oliver and Charlie Parker both died broke. What seems certain now is that this great American cultural tradition is far healthier than it has been in decades. In the hands of people like Wynton Marsalis and hundreds of other talented musicians, young and old alike, its future seems assured...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

...knowledge of the traditional background, it will have more depth." Saxophonist David Sanborn, 45, a top-selling fusion artist, thinks that many of the current acoustic players may start experimenting with more high-tech sounds. RCA's Backer foresees an eclectic middle ground. Says he: "The significant artists of Wynton's tradition will continue to be important in the '90s, but they will coexist alongside more probing, experimental artists...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

Whatever the dominant trends turn out to be, Wynton will not be following them; he will be pursuing his own ambitious agenda. "I have every intention of coming up with something that's going to be significant," he says. "As my understanding of form becomes more sophisticated, I'll be able to illuminate more clearly how our country should be represented in music." His ultimate aim? "To find a place in my heart for a real, true expression. Something that is obvious to anybody who listens to it; you know, something moving -- and touching." It is a goal that...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

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