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...photography is dead, it has never looked more beautiful. And if David Hockney were to visit Adelaide, he would probably stop dead in his tracks before one of Liu Xiao Xian's startling Lamda prints. For Liu's Home series, the Beijing-born, Sydney-based artist has Photoshopped Chinese family portraits before painted backcloths of places like the Summer Palace and Tiananmen Tower, together with larger backdrops of tourist sites such as Buckingham Palace and Sydney Harbour. With these digital dioramas of hope and home, Liu suggests photography's infinite possibilities, not its death. Here Hockney's worst nightmare...

Author: /time Magazine | Title: Not Dying, Changing | 3/17/2004 | See Source »

...They are, in a word, conflicted. Fresh off the boat from a rubber plantation in Malaysia, young Xiao Jie (living anim? Lee Sinjie) dreams of Mando-pop stardom, only to have her career derailed by a depressive manager (Anthony Wong, dressed like an Iron Maiden roadie) and her heart hijacked by her singing partner (Kate Yeung), who takes more than a professional interest in her. Xiang Xiang (Liu) is a jaded flight attendant with Bridget Jones problems: lots of men to date, none to come home to. And then there's freshly divorced Lily (Chang), who gets back into...

Author: /time Magazine | Title: What Women Want | 3/15/2004 | See Source »

...Taiwan or China. "I never planned to do anything to support the Chinese government and never thought of harming the U.S. government," she wrote, adding bizarrely that her "dream" was to host a radio talk show in China. Genuine human-rights activists find a lesson in the scandal. Says Xiao Qiang, the former executive director of New York-based Human Rights in China, which lobbied hard for Gao's release: "It's time Americans realized that just because someone is a victim doesn't mean she's a hero...

Author: /time Magazine | Title: Double Cross? | 12/1/2003 | See Source »

Hopes that the death of Deng Xiao Ping, China’s leader during the massacre, might bring political reform were crushed when Jiang Zemin, the Communist Party’s third-generation leader, rejected reform outright. My friends and I, more disgusted than ever with the totalitarian regime, drafted a document published simultaneously in the U.S., France and Taiwan challenging the Chinese government to carry out sweeping reforms. Called “China Needs a New Transformation—Program Proposal of the Democratic Faction,” its revolutionary content frightened the leadership...

Author: By Fang Jue, | Title: Leaving China's Shadow | 9/8/2003 | See Source »

...movie without the classic Western romanticism by director Zhang Yimou. Shuiseng (Wang Xiaoxiao), a small town boy, is brought to the Shanghai of the 30s by his Uncle Liu (Xuejian Li). Uncle Liu takes him to work for a very wealthy mafia boss, Tang (Baotian Li) and his mistress Xiao Jingbao, played by the timeless Gong Li. Overwhelmed by the glitzy life of the big city and the opulence around him, Shuiseng also witnesses inter-triad betrayal, Xiao’s tumultuous love affair and vicious gang wars. The plot carries director Zhang’s trademark of conveying...

Author: By The CRIMSON Staff, | Title: Happening :: Listings for the Week of Aug. 15 through Aug. 21 | 8/15/2003 | See Source »

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