Word: xiaogang
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Dates: during 2000-2009
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...Throughout Asia's developing nations, once penniless painters are getting used to this most unexpected emotion. The region's contemporary-art market has never been so hot. Last year, a collection of dreamlike portraits and landscapes by China's Zhang Xiaogang raked in just over $24 million - more than British enfant terrible Damien Hirst made in 2006. In March, a sale of modern Indian art in New York City raised a record $15 million, including just under $800,000 for Captives, a stark evocation of desiccated torsos by New Delhi-born Rameshwar Broota. Two months later, an auction in London...
...Sotheby's has created a stand-alone modern-Chinese-art division, and Christie's showcases the art alongside such modern masters as Andy Warhol and Willem de Kooning. At a Christie's auction in October in New York City, pieces by Chinese painters Li Songsong, Yan Lei and Zhang Xiaogang set record prices. Another Christie's auction in Hong Kong in November broke records again: a 1993 painting by Zhang went for $2.3 million, the most ever paid for a work by a living Chinese artist at international auction...
...purchase of a large painting by Zhang Xiaogang at an Oct. 15 London auction by British collector Charles Saatchi suggests the tide of interest from overseas will continue to rise. Saatchi paid about $1.5 million for one of the artist's Bloodline series. Still, New York?based collector Larry Warsh believes he got a good deal. "Saatchi is coming in late, but he's important because people follow him," says Warsh, publisher of the magazine Museums and an enthusiastic advocate of contemporary Chinese art. "It will soon prove to be a bargain." Indeed, that prediction may already have come true...
...contrast between such sentiments and the attitudes of the current crop of leading artists, like Zhang Xiaogang, Zhu Wei and Fang Lijun, couldn't be starker. Mostly now in their 40s, many of the artists suffered through the tail end of the Cultural Revolution. The cultural flowering that followed in the '80s was another casualty of the Tiananmen Square massacre in 1989. Many artists left the country. Now back, they're thrilled at being rewarded instead of hounded for expressing their feelings in their work. Fundamental issues like politics, ideology and spirituality remain important themes. Images of Mao Zedong...
...contrast between such sentiments and the attitudes of the current crop of leading artists, like Zhang Xiaogang, Zhu Wei and Fang Lijun, couldn't be starker. Mostly now in their 40s, many of the artists suffered through the tail end of the Cultural Revolution. The cultural flowering that followed in the '80s was another casualty of the Tiananmen Square massacre in 1989. Many artists left the country. Now back, they're thrilled at being rewarded instead of hounded for expressing their feelings in their work. Fundamental issues like politics, ideology and spirituality remain important themes. Images of Mao Zedong...