Word: xun
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...equal measure as I read Hannah Beech's unsettling account of the Chinese government's persecution of legal activist Chen Guangcheng [Sept. 4]. Disgust threatened to turn to despair. What hope is there for individuals like Chen, outgunned and outnumbered? But then I recalled the words that novelist Lu Xun wrote 85 years ago, at the end of his short story My Old Home: "Hope cannot be said to exist, nor can it be said not to exist. It is just like roads across the earth. For actually the earth had no roads to begin with, but when many...
...equal measure as I read Hannah Beech's unsettling account of the Chinese government's persecution of legal activist Chen Guangcheng [Sept. 4]. Disgust threatened to turn to despair. What hope is there for individuals like Chen, outgunned and outnumbered? But then I recalled the words that novelist Lu Xun wrote 85 years ago, at the end of his short story My Old Home: "Hope cannot be said to exist, nor can it be said not to exist. It is just like roads across the earth. For actually the earth had no roads to begin with, but when many...
...first time was enticing, and Chan saw an opportunity to make a modern musical without compromising dramatic complexity. With Morgan, the producer behind Oscar-winning Million Dollar Baby, and a $10 million budget, Chan assembled a starry cast: Taiwanese-Japanese icon Takeshi Kaneshiro, rising mainland actress Zhou Xun and Jacky Cheung, the one Heavenly King of Canto-pop who can really sing. But would audiences accept a big-budget Asian film without a flying kick or aerial swordfight? And was Chan?a Hong Konger best known for delicate, tightly-observed dramas such as Comrades, Almost a Love Story...
...brilliant. The $10 million movie was selected for the closing spot in the Venice Film Festival before Chan had finished post-production. (The movie will be released in December.) Indie icon Takeshi Kaneshiro (House of Flying Daggers), pop idol Jacky Cheung (Ashes of Time) and luminous mainlander Zhou Xun (The Little Chinese Seamstress) star as actors in contemporary Shanghai filming a musical set in the decadent 1930s. A love triangle ensues, giving the stars a chance to work out their feelings in song?and dance, choreographed by India's Farah Khan. ("Chinese people don't dance," Chan explains...
...perils of China's giddy embrace of capitalism. Chen's main character proves that it's often the most scared, the most hurt, the most rejected who can show the lemming-like masses where they're headed. And in this case, the cliff looks dangerously close. Lu Xun's madman ends his famous diary with the plea: "Save the children." Though times have changed, the warning from A Private Life is much the same...